A Quote by Jonathan Levine
As a director, your expectation and reality don't always match up, and I think that that's... I think it's a little jarring.
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I always think that I have plenty of time for everything, and then the reality of it doesn't quite match up.
When you label someone 'up and coming' or 'the new breakout,' there's this kind of expectation. And I think, like I said before, it's very hard to live up to that expectation when you really don't have that much power as an actor - in terms of your career path and the timing.
I've always sort of marveled at our ability to chat and match, because of, I come, honestly I think of myself of as a little bit of hack, and think like that, and I think of her [Mia Michaels] as an artist.
I've known Mark Hunt for a long time, and I've known Brock [Lesnar] for a while. I think that it's a very interesting match-up. I think it's good on the UFC for making that match-up.
Your actors need to trust you as a director, but normally, I think you just need to have an open communication between the actors and the director. I think the director needs to really paint his or her vision to the cast and let them know the kind of mood that he or she is making. I think that's very important.
I think that any time reality doesn't match your expectations, it means that marketing was involved.
I think it's good that you test the reality that surrounds you in your neighbourhood with the reality as it is in other parts of the world; you come up with a better judgment. I'm not meaning that literally you can only do that and not go to school at all but in terms of enrichment of a personality I think it's a fabulous thing.
I think 'director' is a very broad term. I like to think of myself as the head collaborator, not the director, because I think, for a lot of people, 'director' connotes giving orders and telling people what to do.
Don't downgrade your dream to match your reality. Upgrade your faith to match your destiny.
I think it's really important as a creative director, to always keep your ears on the ground and always surround yourself with people who've been in the business longer than you to really think of new and creative ways to present your designs to girls.
I learned this through Iron Man - it really doesn't matter what I think about who he is because everybody has such a huge idea about what they think the guy is. You can't just rely on your instincts and your imagination, you have to match up with what the expectations are from the people.
Just remember your thoughts control your whole reality. Everything you think of you can accomplish. Your thoughts are your reality. People realize that and everybody would be up.
I think that Donald Trump successfully mobilized a big chunk of America to vote for him and he's going to win. He has won. He's going to be the next president and regardless of what experience or assumptions he brought to the office, this office has a way of waking you up and those - those aspects of his positions or predispositions that don't match up with reality, he will find shaken up pretty quick because reality has a way of asserting itself.
I don't think of myself particularly as a Scottish director, but you are what you are because the first ten years of your life, and where you spend them, brand you. In that sense, I'll always be a Scottish director.
I will say from the outset, I think if you're great, you're great from the very beginning. And because I do think it is innate and I do think it is a gift you just have, and I don't think you can - you can hone the skills of a director, but sadly, I do think that you are born a great director. I think it's just in you and it's something that is deep in you. But, I find it can be difficult working with first-time directors, but it's also moving.
I was a little nervous at my first match, but I think I did OK. I went home after the match and watched the tape of it over and over. I wanted to do it again.
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