A Quote by Jonathan Levine

I definitely think New York is a very, very vibrant, wonderful city, but I certainly, of course, can't help but miss a lot of the stuff that's no longer there. — © Jonathan Levine
I definitely think New York is a very, very vibrant, wonderful city, but I certainly, of course, can't help but miss a lot of the stuff that's no longer there.
I think the best actors in the world are here in New York City. And this city is just so vibrant the energy is just phenomenal. Great crews here. All the technicians, all the artists that work in this industry. I've just been very happy with the body that we've been able to do, especially those films we shot here in New York City.
Chicago seems to follow New York, and coming from New York and being in real estate, I worry about things happening in Chicago that have happened in New York. I've seen a great city like New York go downhill. It has a wonderful financial downtown, but the rest of the city is not very nice.
I miss New York terribly. There is no place like the city. I miss people-watching. I miss the nightlife. I miss the food. There are so many options in New York City.
At first we didn't have a lot of access to New York City, but very quickly, I think people recognized if you were on the show that was a good thing. We always saw the show as a love letter to New York City.
New York is a fascinating city. I think it's a very inspiring city, but it's overpowering when you get older. It tires me now. But it's wonderful for young people - very inspiring and full of surprises and full of ideas.
I obviously spent a lot of time in New York City, and I loved it, but Chicago has a very different history than New York City does.
Cardinal Dolan, of course, has a very, very hard job: trying to hold up Catholic family values in sexually liberal New York City. I'm not saying New York is the Gay Mecca. But it's at least Gay-rusalem.
One big disturbance, I think, between L.A. and New York is that New York is so condensed and together that it's very hard to be private there. There's a lot of constant interchange, people know what you're doing all the time. Here in L.A. it's the opposite, it's very spread out, unless you make a conscious effort to go someplace and look at something, you don't see it and we hear about it. So in that sense, it's a city where you can be very anonymous if you want to be, or even if you don't want to be.
New York's such a wonderful city. Although I was at the library today. The guy was very rude. I said, "I'd like a card." He says, "You have to prove you're a citizen of New York." So I stabbed him.
Well, painting today certainly seems very vibrant, very alive, very exiting. Five or six of my contemporaries around New York are doing very vital work, and the direction that painting seems to be taken here - is - away from the easel - into some sort, some kind of wall, wall painting.
I certainly believe Bengaluru is a wonderful place to live in, equipped with all the amenities one would expect from a leading city. Its contemporary, cosmopolitan, vibrant and forward-thinking set-up definitely sets it apart.
I love New York ... I think it's the best city in the world. As far as cities go, everything's there. I think it's so vibrant. I love the people, I think they're honest, in your face. If they don't like you, they'll say, 'Get out of my way,' if they like you they'll slap you on the back and support you. It's a very intoxicating environment to be in.
It is often said that New York is a city for only the very rich and the very poor. It is less often said that New York is also, at least for those of us who came there from somewhere else, a city for only the very young.
I miss the standard of the New York Philharmonic's playing very much. It has certainly been a high point in my life.
I think that's what so exquisite and unique about New York, it's a city that allows you to hone your craft as much as possible. There is no good or bad, somehow, strangely, there is no beginning or end. You certainly qualify it with the opening or closing of a run, but what's extraordinary is that you are actually allowed to be an artist here. It's very "belle époque," but somehow continually. That's why I love New York so much, honestly.
It was ironic that there I was finally painting the pictures I'd always wanted to paint and feeling very much at home in the countryside, and I ended up working in New York City, which is definitely the archetypal city.
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