A Quote by Jonathan Levine

I feel like comedy is where I'm most at ease, but I also have an allergy to silly jokes. — © Jonathan Levine
I feel like comedy is where I'm most at ease, but I also have an allergy to silly jokes.
Only 1 to 2 percent of adults have a real food allergy. This gluten thing is a... whatever. It's not an allergy for most people.
That's one of the things about comedy that annoys me the most from a comedian perspective. Comedy has gotten so segregated. Now it's like if you don't agree with somebody, you probably aren't going to like their jokes. I think comedians are starting to write for their audience and not towards the country.
If comedy can be both - silly and fun but also say something and start a dialogue - that's the most you can ever ask for.
And writing comedy and it really taught me how to kind of like craft jokes, it sounds like weird but really focus on crafting jokes and trying to make the writing really sharp. At the same time I did improv comedy in college, and that helped with understanding the performance aspect of comedy, you know, because it's different when you improv something vs. when you write it and they're both kind of part of my process now.
One of my biggest gripes with wrestling in the last decade is it has seen a lot of silly, goofy characters. I feel like every other match is a comedy spot, and there's nothing wrong with that, but I think if there is a comedy spot, it should be special.
People have a comic bent or an angularity to their thinking, and those are the people who make jokes. And it's usually people who were in an environment, when they were young, where jokes were at a premium, or at least considered important to a life. My parents always listened to the comedy radio shows, we went to the comedy movies, and my parents appreciated comedy. So kids listen and follow what their parents like.
I love action movies, and I love comedy, and I love writing comedy, but the genre of action-comedy - or, at least, as it currently usually is - is just not something that I feel that compelled by, generally, because I find the action to be silly, or it's too slapstick, or the stakes feel low because people are joking in the middle of it.
Tweeting is a great way to practice writing jokes, but there is so much more to comedy writing than just jokes. Jokes are a necessity, but you also have to learn how to write characters, to break a story, to keep coherence between episodes. I've learned more by being a TV writer than I ever could've on my own.
I never was shy, but as far as telling jokes, I'm the worst. I like physical comedy; it's where I feel comfortable.
I never feel like it'll be something where like, 'Aha, I've got it. I'm funny for the rest of my life. I don't need to tell jokes anymore. I just am comedy.'
I probably prefer comedy. Why? I'm not sure. I feel like the energy of a comedy is a better fit for me. I try to be a happy guy! It seems that most of my life has the energy more for a comedy than for drama. I'm grateful to do both, but I would have to lean towards the comedy side of acting.
It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
There's a way of doing comedy that feels true to the person doing it, that doesn't feel like clown-work or silly faces and antics, but that feels real - like you're playing a real person who has real thoughts and feelings, and it's very grounded. I started to watch all comedy through that prism.
I love hospitality, and I love cooking. The kitchen is where I feel most at ease and where I feel most like myself.
I'm not saying that comedy has to be a certain thing - I'm not trying to define comedy, where it's like, it can only be silly things. But I think part of what makes a comedy is that at least part of the mantra of the show is trying to make people laugh.
I think people like musicals. And when done with a modern comedic sensibility, musical comedy can be the most efficient delivery of both storytelling and jokes.
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