A Quote by Jonathan Levine
I watched 'Return Of The Living Dead.' That one's cool, man. I like that one.
Related Quotes
The world of the terminally ill is the world of neither the living nor the dead. I have watched others since I watched my father, and always with a sense of their strangeness. They sit and speak, and are spoken to, and listen, and even smile, but in spirit they have already moved away from us and there is no way we can enter their shadowy no-man’s-land.
Never in any case say I have lost such a thing, but I have returned it. Is your child dead? It is a return. Is your wife dead? It is a return. Are you deprived of your estate? Is not this also a return?
The border between the dead and the living, if you're Mexican, doesn't exist. The dead are part of your life. Like my dad, who's not here, but he's here.That's why there's the Day of the Dead. There's such a connection with the dead.
I don't know when the Return of the Living Dead are happening. That's been on the Internet for years.
The original Return of the Living Dead, I was attached to direct it, and I wrote the story. Production was delayed. In the meantime I went to London to do Lifeforce.
Hell was not for the living, it was for the dead, even the hallowed dead. Let the dead rest in peace. Someday Mack Bolan, too, would rest. For now, he had to find his way among the living.
Whatever you do,strive to do it so well that no man living and no man dead and no man yet to be born could do it any better.
I have watched music go from an art form into an industry. And I have watched it stop dead in its tracks because of the digital age.
I don't really write with living actors in mind. I guess I write for dead actors. I'll think of like, you know, Burt Lancaster would be good in this part, and so on. With 'L.A. Confidential,' it was like, 'Wouldn't it be cool if Dean Martin played the Kevin Spacey part?'
Richard exhaled. It was like somebody sprinkling pepper on his wound: Thousands of Biafrans were dead, and this man wanted to know if there was anything new about one dead white man. Richard would write about this, the rule of Western journalism: One hundred dead black people equal to one dead white person.
From the start I was a kid who read 'Goosebumps', and that led me to Stephen King, and then I saw 'Aliens,' and 'Night of the Living Dead,' the original. And with 'Night of the Living Dead' I was like, 'Oh my god, there's a black person who's the main character. Does anybody see that?'
Last winter, when so many Living joined the Dead and our prey became scarce, I watched some of my friends become full-dead. The transition was undramatic. They just slowed down, then stopped, and after a while I realised they were corpses. It disquieted me at first, but it’s against etiquette to notice when one of us dies. I distracted myself with some groaning.
It's not in the draftsmanship, it's in the man. Like I say, a tool is dead. A brush is a dead object. It's in the man. If you want to do it, you do it.
I read a lot, and I watch a lot of TV and film now. That's my homework. Like I said, my Netflix. I've watched Aliens a couple times this week, Dawn Of The Dead. And that's what's really cool too. It's nostalgia, because I saw these shows, these movies, a lot of them, when I was a kid, and they're different now when you watch them. I'm like, "Wow, I can't believe my family let me watch that," and "I must have missed that the first time around."
I watched my brother and my father. The truth was very different from what we learned in school. The truth was the line between the living and the dead could be, it seemed, murky and blurred.
I have seen men march to the wars, and then I have watched their homeward tread, and they brought back bodies of living men, But their eyes were cold and dead.
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