A Quote by Jonny Johansson
I collect people's experiences. I feel that I build myself not only on my experience, but on other people's. That's important to me. I like to work with people who are better at what they do than I am. I like to work with people who are willing to share.
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I'm giddy. I am like an 8-year-old child, every day. I feel blessed for the opportunities. I feel blessed that people are responding to the work, and I'm landing myself in things that people far more talented than I am are allowing me to work on.
I'm fortunate enough that every job I do seems to be, at the very least, teaching me something fantastic. I make new friends. I work with talented people. And each project and experience seems to be better than the last. I seem to be topping myself all the time. I think to myself: "It can't get better, it can't get better..." And then something happens that makes me feel like I'm truly richer for the experience.
The tragic thing about learning from experience is I fear that one can only learn from one's own experience. Other people's - other nations' - experiences simply do not help. They can be imaginatively learned from. But people do not act on other people's experiences.
I'm usually the last to see my influence in other people's work. People give me stuff and say "Oh look, this guy's ripping you off," and I'm like "What do you mean?" Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another artist.
I need to work with great directors and actors, people who are better than me, so that I am challenged. It is like playing sports - surfing, basketball, it doesn't matter what it is, if you play with people who are better than you, then you get better too. It is the same thing with acting.
It's so much easier to sit home and not exercise and criticize other people. What I love is inspiring people. People come up to me and say, 'I want to have two kids and wear a bathing suit and not feel terrible about myself. I see how hard you work and it makes me feel like I can do that too.'
What would happen if people practiced openness and honesty? If people talked about their real challenges without shame or fear of rejection? My guess is that people would feel less alone and isolated. People would be willing to share more, and as a result, society would feel more connected to each other and their experiences.
I think I'm one of those people that needed to be seen by someone else to see myself. But then on the other hand, the way I do my work, I always try to only completely focus on my work, so when I do my work I'm only interested in my character. So I don't have an idea of what it means for my career. So this is why I don't feel like I need to be discovered, because I feel like even without being discovered, I will be fine.
As an artist, i feel lucky to have been given the gift of creativity so that i may share my vision of a better world. I will never forget what it was like to be poor and that is why it is so important to me that my work be accessible to all people. For me, art can reflect the celebration of the simple and good things in life. This is the most important to me.
The notion that I do my work here, now, like this, even when I do not feel like it, and especially when I do not feel like it, is very important. Because lots and lots of people are creative when they feel like it, but you are only going to become a professional if you do it when you don't feel like it. And that emotional waiver is why this is your work and not your hobby.
We develop sentiments that we are only going to work with people like us. But you don't build up a nation by working with people like you. You overcome a history of conflict by reaching out to people very much unlike you.
The center for me is my heart, actually, and my emotional connection with the work. That's where authenticity comes from. It's also the first thing that hits me about other people's work, or watching other people perform, "Do I believe the person?" Even if I don't like what someone is doing or if I don't like the sound, if I believe them, I do like them. I am able to appreciate them as an artist.
People often ask me if I'm working on a book. That's not how I feel. I feel like I work in a book. It's like putting myself under a spell. And this spell, if you will, is so real to me that if I have to leave my work for a few days, I have to work myself back into the spell when I come back. It's almost like hypnosis.
I hope that if the people who read my work encounter people in the real world who are like the characters that I write about, that maybe that might make them feel empathy for those people. I know it sounds idealistic in a way, but I do hope that my work maybe changes some minds, and that my work makes readers see people as human that maybe before they read my work they might not have seen as humans, and those people include me and my family and my kids, people in my community.
When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
People say to me, 'You're a genius; you're great.' I don't know if I'll ever feel that way about myself. Some things, I feel like, are better left for other people to say, and I'm just not into, like, tooting my own horn or bragging or anything.
