A Quote by Jonny Johansson
When people ask me about being Swedish, or if there is something I feel connected to, neoclassicism is the thing I bring up.
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If I write about something that I've experienced and somebody goes, "Oh my God, I feel the exact same way," then both of us are connected, and when you feel connected to people, you feel understood. You feel a sense of purpose.
I find that the most special thing to me is if you've connected to people in some way: If someone comes up to you on the street and says something to you, and you know it's meant something to them, and it's connected to some project. That, I find, is amazing.
I often feel like I want to think something but I can't find the language that coincides with the thoughts, so it remains felt, not thought. Sometimes I feel like I'm thinking in Swedish without knowing Swedish.
When you ask people what it is like being part of a great team, what is most striking is the meaningfulness of the experience. People talk about being part of something larger than themselves, of being connected, of being generative. It becomes quite clear that, for many, their experiences as part of truly great teams stand out as singular periods of life lived to the fullest.
Do people think Swedes are cool? I think they think you're cool in spite of you being Swedish. But the good thing with being Swedish is that we're melancholic.
I want people to ask me how I feel about the world, or what is my day about, and ask me a question that's not just related to food, but that's related to me being a person: Someone that's vulnerable, someone that has ideas and someone that wants to learn more.
Whenever people ask me what the story is for my next film, I won't tell and people feel it's because I'm being secretive or something, but it's actually because I'm ashamed to sum up a film in three sentences.
People always ask me, "Oh, do you ever want to start your own thing?" And I don't, actually. I think what I enjoy most is the sort of co-production of things, where you bring something and somebody else brings something and a kind of alchemy happens.
I think a lot of American fans or people that read about us - they think that we're trying to be a part of the American culture, like all these Swedish kids that love America. We rap in English, so I guess there's something, but we're very Swedish, actually.
The only thing stopping me from being on the streets was the fact I had friends. But you can use up that goodwill. Or you feel scared to ask people for help. Your pride kicks in. So my life before 'Sex Education' was so different. To go to my audition, I had to get my friend to transfer me 10 quid so I could top up my Oyster card.
My area of research is something that in all fairness has no practical usability whatsoever and the thing is I'm often asked to apologize for that. It is interesting to me that people ask 'what's the point of doing that if it's not useful?' But they never ask that, or do they very rarely ask that about art or literature or music. Those things are not gonna produce a better toaster.
Everywhere I've been, from South Africa to Brazil, people are connected to it. For me, art is a way to bring people together. You can put people on the same level, the perception is the same. You can bring a worker, like a cleaning guy, or the richest guy on earth, and they will have the same feeling or they would be able to feel the same.
The No. 1 rule in any negotiation is don't take yourself hostage. People do this to themselves all the time by being desperate for 'yes' or afraid of 'no,' so they don't ask for what they really want. Instead, they ask for what they can realistically get. I've heard many people say, 'Well, that's a non-starter, so we won't even bring it up.'
For many people, I was a phase, a part of the period of growing up. People ask me why I connected. It was presumptuous of me to say, but I'm Everyman. The difference is I put my thoughts into words.
The process of just being in front of people, having to stand up for your ideas, and ask - and then ask people for money, which is a very hard thing to do.
One of the things about the six sixes, which really comes over me every time somebody asks a question or says to me, 'I've just seen them,' or people always ask me about it... It makes me feel that's the only thing I've ever done in the history of cricket.
