A Quote by Jorge Elbrecht

I don't think I have enough of an interest in today's cultural mood to connect with or reject it. I'm compelled by the ideas that arrive when I'm not trying, and I follow them through almost every time. I feel fortunate that these days, there are a lot of them. You could argue that they are informed by everything I'm experiencing culturally around me but I don't, for example, look online for new music or art very often, and I don't think there is much in contemporary culture for me. It's a needle in a haystack kind of thing, and I'd rather spend that time working on a new song.
I'm very concerned with the healing process of a song and music in general. I think that's why I make music - it heals me and I'm extremely sensitive to people who tell me that this or that song made them feel better or helped them go through a difficult time in their life. I think that music is almost medicine. I don't know if that's my philosophy, but that's my thought process.
I think, like every working parent, I sometimes feel that there are not enough hours in the day. But overall, I'm very fortunate that my job has a lot of flexibility. I spend a lot of time with the kids, just around the house.
I don't really think of these as projects. I think of them as bands. I have tried to not just convene a group of musicians and make one record or make one gig and just drop it. Each of them develop over time. I have been really fortunate to keep a band like the Sextet together over three very different albums. Each time, the goal got more deep for me in terms of how I wanted to write for those people. So it is really about trying to develop ideas and trying to have a consistent focus on a way to come up with new ideas in music that I want to do.
There was a kind of cultural life in New York that wasn't as solidified as it is now, it wasn't as money-driven. If you look at the size of the successful art galleries compared to the size of galleries now - there was no such thing as the Gagosian Gallery or Pace Gallery. But it was a time when magazines were a vital part of American life, and Esquire gave me a free pass to every world - I could get to the art world, the theater world, the movie world. It allowed you to roam through the cultural life of New York City.
These days with our economy changing so much, there's not as much TV being made and there's a lot more reality these days, and not as many films being made. I find a lot of my friends who have been acting their whole lives having a hard time finding jobs these days. It's a tough time right now for everybody, which is why I feel very fortunate to have a great job right now. But if acting is something that you're extremely passionate about, I think you should always follow your heart and always follow your dreams. My parents taught me that at a young age and I think it's so true.
Ideas are the easy part. I spend a lot of time batting them away, trying to keep them from distracting me from what I actually have to focus on and finish. A lot of times, they are a siren temptress beckoning me with the promise of a much shorter, simpler, more slender novel over the horizon, but of course that's very dangerous.
I spend a lot of time working and with my family, so I don't have much time around the edges to do much else. I don't really listen to a great deal of music. I love music, but since I spend a lot of time in the studio, we probably watch a movie rather than listen to albums. I get to hear stuff, but not on the grand scale.
When people see one of these new forms of art for the first time, often they can't make sense of it. Then, if it's around long enough, a lot of people get used to it and it becomes assimilated into culture. So there's a morphic field both for the kind of art and for the appreciation of it.
I like art that challenges you and makes a lot of people angry because they don't get it. Because they refuse to look at it properly. Rather than open their mind to the possibility of seeing something, they just resist. A lot of people think contemporary art makes them feel stupid. Because they are stupid. They're right. If you have contempt about contemporary art, you are stupid. You can be the most uneducated person in the world and completely appreciate contemporary art, because you see the rebellion. You see that it's trying to change things.
I spend a lot of my time thinking about how to spend my time. Probably too much - I probably obsess over it. My friends think I do. But I feel like I kind of have to, because these days, it feels like little bits of my time kind of slip away from me, and when that happens, it feels like parts of my life are slipping away.
I think my interest in risk is pretty high, a lot higher than I think a lot of other people who are just looking for something to kind of define themselves, give them a set of fingerprints, and certainly is better for the pocketbook. For me it's always about trying new things and wanting to explore something else and something new of myself and of actors I really like.
It's an honor for me to close out Mysteryland. In American music history this is hallowed ground. I think electronic music has a lot in common with the spirit of rock and roll and what Woodstock had going on at the time. We are kind of the new kids on the block and this music isn't accepted by everyone so we are still kind of getting into pop culture and I think its appropriate that this festival is here and kicking down the door.
I heard Q-Tip on the Jungle Brothers' song 'The Promo.' It was very exciting. It was very new. The music and the culture around hip-hop was evolving. I think there's an emotional quality to their music and there's a vulnerability to the music. For me, A Tribe Called Quest was my Beatles.
I think we've made the collection haystack so big, no one's ever getting through the haystack to find the needle. What we really need to do is isolate the haystack into a group of suspicious people and spend enormous resources looking at suspicious people, people who we have probable cause.
I'm trying to discover - invent, I suppose - an architecture, and forms of urban planning, that do something of the same thing in a contemporary way. I started out trying to create buildings that would sparkle like isolated jewels; now I want them to connect, to form a new kind of landscape, to flow together with contemporary cities and the lives of their peoples.
Music is the highest art form.I still think that. I wish I was really talented in music because then I would be doing it. I felt that I could write a decent song, but it was a big struggle. It took a lot of time and effort for me, whereas a lot of my peers and other people seemed to have a much easier relationship to it. But I profoundly love music, and I still dream that I might one day try to write some new songs and record something - just for myself, to see what would happen.
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