A Quote by Jorginho

I like to go to simple places to see people and not lose the real values of life. It's not just about money. — © Jorginho
I like to go to simple places to see people and not lose the real values of life. It's not just about money.
When people laugh and applaud as characters are killing each other, and you never see the body that's lying there, or you never see the family that suffers, then it turns into a cool thing to do, like a videogame. Then, when you watch the news and see that 15 soldiers were killed, you start to see them as just numbers, material, information, images. We lose the real weight and real value of one simple human life.
It's silly to have as one's sole object in life just making money, accumulating wealth. I work because I enjoy what I'm doing, and the fact that I make money at it - big money - is a fine-and-dandy side fact. Money gives me just one big thing that's really important, and that's the freedom of not having to worry about money. I'm concerned about values - moral, ethical, human values - my own, other people's, the country's, the world's values. Having money now gives me the freedom to worry about the things that really matter.
I never heard of anyone saying they want to deploy their capital wisely and go buy a sports franchise. What you want to do is just not lose money. You see, I don't have to work anymore. I tell people I don't have a real job. On the other hand, I learned long ago that you can't go broke if you turn a profit.
One of my struggles is that I'm a glutton. There's always those very simple, long, old-ass things, but they're very real to me, and I'm sitting in them, and they're swirling in my mind all the time. I tell people about it and they think, "Why don't you just go and make some money, go get a big-screen TV, or look at the Internet." Or they say, "Go create some introspective art." I just want to explode. I don't know how everybody else is able to walk around so calm. It's amazing to me when I see people walking so calmly down the street. I envy them, but I also kind of hate them.
I think the Democratic Party is firmly in the wilderness right now and doesn't know exactly what to do. We talk about trust. Fundamentally, the American people have lost a lot of trust in both parties, but in particular, my party. Growing trust is a very simple calculation: People want to know what your values are, and they watch your behaviors. If your behaviors align with your values, then they trust you. If you say I'm for the people, but we're just as bought off as the other party, or we say we're for fairness, but we gerrymander just like the other side, people see.
I would like to continue acting. I tell people I can't go back to real life. I have to see how far I can go with it. I am serious about it, and I believe that it's my calling. I think it's what my life's path is. It's what God has given me. It's what I was born to do. And so I must do it.
I walk the streets, take the train, it's real simple. Some actors create their own mythology: 'Oh, I'm so famous I can't go places, because I created this mythology that I'm so famous I can't go places.'
I walk the streets, take the train, it's real simple. Some actors create their own mythology: 'Oh, I'm so famous I can't go places, because I created this mythology that I'm so famous I can't go places.
J. Tillman was kind of an alter ego. There was a lot I didn't want people to know about my real life. With Father John Misty, I leave everything in: so much so that I lose sleep before these albums come out because there is always a line or two in there where I'm just like, 'This is not going to go down very well.'
I don't like losing money. I don't go gamble. Because I don't want to lose any money. I didn't grow up with any money and I'm not going to go gamble and lose money.
I follow my instincts and I always think about what movie I would like to see. If I want to see it then I'm guessing that some other people might want to see it as well. I never try to think about what people will love or will like, because when you start to think for other people that's where you lose track of the real motivation.
This medium that we're working in - film and television - for an audience, it's like you live through these characters because it's things you can't do in real life. Places you're not prepared to go in real life as a decent human being, anyway. Because if you're a conscientious person, so you live kind of vicariously through these people.
There are few women in America that don't want to lose 5 pounds, but I refuse to let that thought dominate my life. And there are too many other real problems in the world - real obesity problems and real hunger problems - to worry that much about a few pounds that I'd like to lose.
Audiences make their minds up about people they see on screen, just like they do in real life. That's what fascinates me in film. You see a character and have to think: is this person different to what I assumed he was when I first saw him?
As people who make things, we have the ability to think of the most vile, awful things we can imagine, but it doesn't mean we believe those things. I allow myself to go places in my videos that I would never go in my real life.And I think that there has to be that place where you can create and not have to be living it in real life.
Most people just aren't clear-eyed about the rural South. We think that the urban centers are the problem, and the rural areas across the country are idyllic, suffused with good old American values, social values, religious values, moral values. It's what we tell ourselves to keep this political power structure in place, and it's what we see in pop culture, too.
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