A Quote by Jose Padilha
How can I make a movie about the violence of the police if the police aren't going to let me film it?
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Well can I just make a point about the numbers because people talk a lot about police numbers as if police numbers are the holy grail. But actually what matters is what those police are doing. It's about how those police are deployed.
HATE, even if it's making money. is an underground movie, that's how it was made. It's a film about police brutality in the largest sense, it's about the whole of society and not just about the hood.
American cops didn't create that atmosphere, they're the ones though who have to live with it on a daily basis. These are generalisations; you can't make generalisations about hundreds of thousands of people. The New York Police Department, for instance, has 38,000 police officers in it. But most cops, when I talk to them, desperately care about the victims of gun violence. They see it, they experience it.
I think the only thing that's really going to make a change in terms of how we feel as citizens in terms of safety and our relationship with the police is if we start seeing more federal indictments, arrests, and convictions of police officers.
Police departments across the nation must develop nonviolent 'rules of engagement,' so that they don't reflexively respond to suspected crimes with violence. This will require more in-depth training in the behavioral psychology of conflict resolution so police have tried-and-true techniques of preventing and de-escalating violence.
Decade after decade, the police culture has been just the very opposite. And that`s been to ignore or to rally around. And that`s something that systematically we are going to need to break this blue wall of silence if we`re ever going to dramatically change and end the culture of police violence.
This is the problem with the United States: there's no leadership. A leader would say, 'Police brutality is an oxymoron. There are no brutal police. The minute you become brutal you're no longer police.' So, what, we're not dealing with police. We're dealing with a federally authorized gang.
But the reality is that the police serve a certain function, to maintain a certain status quo, and that's one of the things that the movie is about, because it basically gives you three options for looking at the police, as symbolized by Dave Brown.
I wouldn't call it "police reform," but I would say that police procedure enhancement could be helpful - these police shootings are absolutely horrible.
There's one overriding issue, namely, that we live in a police state so long as the police get to police themselves. And that is why cops go unindicted.
Really, I wanted to make a movie [Valley Of Violence] about: How does violence affect people? This is a take from me on how violence affects people.
I met a retired police detective. And he said to me that the interesting thing about heatwaves, from a police perspective, is that the number of people who just walk out of their lives when the weather gets unbearable is astronomic. He said the police prepare themselves for it - for a huge rise in the instances of missing persons. People choose to disappear when it's hot. It was fascinating.
The most credible police shows I've ever seen were 'Barney Miller' on TV and 'The French Connection' movie. They showed the tedious side of police work.
A lot of things sound neutral, but they're not. A typical example would involve police violence. It's usually forbidden to call police "murderers," even if they're convicted of murder. People will say that it sounds hysterical and unobjective.
People were encouraged to snitch. [South Africa] was a police state, so there were police everywhere. There were undercover police. There were uniformed police. The state was being surveilled the entire time.
I think you have to be extremely strong to be in the police and I couldn't do that at all. I get nervous when a police car is driving past me when I'm in the car, pondering what they're doing or going to.
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