A Quote by Jose Padilha
Usually I say I have no imagination.
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All human accomplishment has the same origin, identically. Imagination is a force of nature. Is this not enough to make a person full of ecstasy? Imagination, imagination, imagination.
All human accomplishment has this same origin, identically. Imagination is a force of nature. Is this not enough to make a person full of ecstasy? Imagination, imagination, imagination! It converts to actual. It sustains, it alters, it redeems!
When we find ourselves unable to reason (as one often does when presented with, say, a problem in algebra) it is because our imagination is not touched. One can begin to reason only when a clear picture has been formed in the imagination. Bad teaching is teaching which presents an endless procession of meaningless signs, words and rules, and fails to arouse the imagination.
Some say that it is lack of imagination which makes men and women brutes. May it not be power of imagination? The interest of torturing is lessened, is almost lost, if we can not be the tortured as well as the torturer.
I think that in the cultural imagination, motherhood has a primacy that fatherhood just doesn't; and that's not to say that there aren't many fathers who are active and engaged and for whom that is their life's passion. But somehow, in the imagination, there's something different about maternity.
The scariest, most terrifying thing that I fear? Yes. My Imagination. I thought you were going to say "Fear, itself." Then you have a small imagination.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
I think imagination is at the heart of everything we do. Scientific discoveries couldn't have happened without imagination. Art, music, and literature couldn't exist without imagination. And so anything that strengthens imagination, and reading certainly does that, can help us for the rest of our lives.
Imagination! Imagination! I put it first years ago, when I was asked what qualities I thought necessary for success upon the stage. And I am still of the same opinion. Imagination, industry [hard work], and intelligence-the three I's-are all indispensable to the actor, but of these three the greatest is, without any doubt, imagination.
There is almost no limit to the possibilities of the imagination, but to get the full power of it, one must trust one's imagination. If you say to yourself constantly, as the mother says to the child, 'But this is only play; this is not real,' you never can make real the things you have created in thought.
One siupreme fact which I have discovered is that it is not willpower, but fantasy and imagination that ceates. Imagination is the creative force. Imagination creates reality.
The imagination is the spur of delights... all depends upon it, it is the mainspring of everything; now, is it not by means of the imagination one knows joy? Is it not of the imagination that the sharpest pleasures arise?
If you don't have imagination, you stop being human; animals don't have imagination; Alzheimer's is the death of imagination.
Imagination is more important than knowledge. Imagination is the language of the soul. Pay attention to your imagination and you will discover all you need to be fulfilled.
And what is the great thing that the stage does? It cultivates the imagination. And . . . the imagination constitutes the great difference between human beings. . . . The imagination is the mother of pity, the mother of generosity, the mother of every possible virtue. It is by the imagination that you are enabled to put yourself in the place of another.
The immediate future of man lies in the imagination and in seeking the dimension where the imagination can be expressed. The present cultural crisis on the surface of the planet is caused by the fact that this is not a fitting theater for the exercise of imagination. It wrecks the planet. The planet has its own Eco-systemic dynamics, which are not the dynamics of imagination.
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