A Quote by Jose Padilha
People can't stand it when you deal with issues of race and class, and also sometimes the church, and you give a perspective that flushes out hypocrisy.
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There's this false notion that you have to separate and choose between issues of class and issues of race. What people do when they say that you need to separate class from race is that they are really just saying that people of color should come second.
We have to deal with issues like inequality, we have deal with issues of economic dislocation, we have to deal with peoples fears that their children won't do as well as they have. The more aggressively and effectively we deal with those issues, the less those fears may channel themselves into counter-productive approaches that pit people against each other.
As the 2016 presidential race kicks off, candidates on both sides of the aisle are promising to stand up for the middle class. Voters deserve to know that anyone who champions Obamacare cannot honestly say she or he is also a champion of middle-class Americans.
Once you figure out something about the watershed, you'll find out where the schools are going to hell, and the kids aren't learning, and there is no money. Social issues, class issues, and environmental issues were all connected.
These people who are making a big deal out of gay marriage? I don't give a fuck about who wants to get married to anybody else! Why not?! We're making a big deal out of things we shouldn't be making a deal out of. hey go on and on with all this bullshit about "sanctity"—don't give me that sanctity crap! Just give everybody the chance to have the life they want.
A lot of times, people say that people read to escape. But I think if you come from any community that is underrepresented, in any kind of media, whether that's around race, around class, or sexual orientation, religion, whatever it may be, sometimes you read to be affirmed. To have your humanity rendered complexly. And sometimes seeing yourself on the page is affirming. And we know that for some young people, that can also be life-saving.
It's interesting that we assign the label 'political' to art that doesn't just fit a mould of status quo. Is 'Downton Abbey' not political? That's political! Every piece of art offers a perspective on the world. And what is politics if not a perspective on the world? 'Downton Abbey' is about class. It's also about race.
I think the working-class part of me comes out. Sometimes the people who have the loudest mouths are upper-class, upper-middle-class. The quietest are often working-class people, people who are broke. There is a fear of losing whatever it is that you have. I come from that background.
People want to know how do they pay for education and they want to figure out how to find and maintain meaningful employment. Education and the economy are polled by Latinos as the top two most important issues. But those are also the issues that everyone cares about, regardless of race; so we don't need to be divided over it.
Sometimes people who want to understand Haiti from a political perspective may be missing part of the picture. They also need to look at Haiti from a psychological perspective.
I will be asking my network to lead a discussion on the issues of class, race, energy, the environment, disaster planning, Iraq -- all those things and more. This encompasses so many of the major issues of our time.
We live in a relativistic culture, where people are more con- cerned with being liked than being truthful. In A Sweet and Bitter Providence, John Piper does an outstanding job of bibli- cally defending key truths that the church often ignores. He gives us an example of how to take a bold and educated stand on issues of race, purity, and God's sovereignty.
I would love it if we made more comparisons between current issues and issues of the past. Maybe we'd realize that sometimes 'current issues' and 'past issues' are one and the same. Our world's people still fight over natural resources, kill in the name of religion, occupy regions and give them up - just as we did 'so long ago.'
Every nation on this planet has its issues with race, and I am not sure if everyone has figured out how to deal with it. America has become more politically correct.
You can actually take your pain and processes it into some kind of form of art. So I mean, I've easily always been able to do that, but also I've always been able to give myself perspective - or, you know, older people always give you perspective.
What is missing in a lot of urban music is perspective. You hear a lot of regurgitated perspective. It's a lot of: out at the club. Had drinks. Patrón. Big booties. It's this regurgitated idea of living in this, I don't know, one-night-stand moment that always starts at the club and Patrón. And so perspective, perspective, perspective is what I'm an advocate of.
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