A Quote by Jose Parla
As a young kid I was in love with breakdancing. I practiced the uprock style, which is a battle style of dance that looks like fighting. It comes from the gangs in New York in the 1960s and '70s. It's beautiful, almost like a martial art, and it can be funny, too, because you make fun of each other.
Related Quotes
I like the fact that I can rep New York, but my style does not - I'm not trapped in a New York thing. I can do art songs with other artists and it's seamless.
If properly dried and trimmed, New York-style pizza could be used to make a box for Chicago-style pizza. I love a slice when I'm in NYC, but it's like eating a Slim Jim compared with a filet mignon. One slice of Gino's East stuffed sausage pizza is a bigger meal than an entire New York pie.
I call my style, "Poetry in Motion." So I'm working on a new art to make fighting even more beautiful.
'Death Sentence' really is a throwback to the '70s style revenge drama with moments of action. It's like a contemporary 'Death Wish' with a much more thriller style storyline, but the action scenes I shot very much in the style of '70s films like 'The French Connection.'
I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
West Side Story was terribly important because of the style of the dancing and the gangs of New York.
I can't totally talk about why we divide, but... it's interesting because we're doing this scene today that's sort of the pinnacle of that. Two gangs fighting against each other, ultimately knowing that... ya know, it's like friends fighting friends. To me it's fun, personally.
I've danced my whole life. Martial arts is just fun for me, it's all choreographed a bit like dance. I have done Muay Thai and Wushu, which is cool because it's very fluid dance. I also do Tricking. It's kind of like Taekwondo with the big kicks and flips and showier aspects of martial arts.
I love filming in New York. I love New York movies, too. I just like it when people can take New York and make it their own, because there are so many different New Yorks.
I like the New York style of funk, the California style of funk, but the South I never felt like - and Atlanta particularly - got the credit for taking their lessons and progressing on it.
In the early '70s, coming out of the '60s, it was very hippy or it was very uniform, like The Beatles all wearing the same suit. Into the '70s, it became much more about a personal style. You had the glam period, which was a lot of fun, and then you went into punk.
My ultimate style pin up is a tough question because my own style is influenced by so many sources. From Bianca Jagger to Kate Moss to Julie Christie. I love how they are always themselves and it never looks too 'done.'
Once established, a successful style looks like an inevitability - maybe that's the definition of a successful style - but there's often the time when it looks like anything but.
The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didn’t relate to European photography. It was too poetic and anecdotal for me… the kinetic quality of new york, the kids, dirt, madness—I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didn’t see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News.
I really, truly appreciate Conor McGregor's style - his fighting style and the way he talks. The reason why is because he reminds me of a young Mike Tyson, a young Muhammad Ali, the way he talks.
My jiu-jitsu style is not a beautiful style. I have very simple submissions. It works, but it's not like Demian Maia or Nick Diaz's very exciting style.
