A Quote by Joseph Jacobs

Certainly there is abundant evidence of the early transmission by literary means of a considerable number of drolls and folk-tales from India about the time of the Crusaders.
I wonder what it means about American literary culture and its transmission when I consider the number of American poets who earn their living teaching creative writing in universities. I've ended up doing that myself.
The fact that fairy tales remain a literary underdog - undervalued and undermined - even as they shape so many popular stories, redoubles my certainty that it is time for contemporary fairy tales to be celebrated in a popular, literary collection. Fairy tales hold the secret to reading.
Certainly the party counts a considerable number of intellectuals among its members, but I am by no means disposed to apologise for that.
The great thing about fairy tales and folk tales is that there is no authentic text.
I also like the whole idea of fairy tales and folk tales being a woman's domain, considered a lesser domain at the time they were told.
The conviction that the best way to prepare children for a harsh, rapidly changing world is to introduce formal instruction at anearly age is wrong. There is simply no evidence to support it, and considerable evidence against it. Starting children early academically has not worked in the past and is not working now.
Folk tales, fairy tales, religion, the occult - these are the things I'm most passionate about, even more than cinema. And I'm very passionate about cinema.
Because the great thing about fairy tales and folk tales is that there is no authentic text. It's not like the text of Paradise Lost or James Joyce's Ulysses, and you have to adhere to that exact text.
Fairy tales and folk tales are part of the DNA of all stories and great fun to write.
Fairy tales and folk tales have always played a role in my writing in one way or another.
Bare Foot Folk and is full of really interesting songs, Ange Hardy takes folk tales and creates new folk songs that sound traditional around the story. This is one she's called mother willow tree, it's beautiful
I wanted the chance to look again at very famous stories and see what made them work well, whether there were any ways in which they could be improved. Because the great thing about fairy tales and folk tales is that there is no authentic text.
The world is an abundant place. Abundant with opportunity, abundant with good fortune, abundant with ideas, and abundant with love. Reach into that abundance and take what is rightfully yours. It is your inheritance, gifted to you by God. Let yourself have it.
The truth is, my folk-lore friends and my Saturday Reviewer differ with me on the important problem of the origin of folk-tales. They think that a tale probably originated where it was found.
Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have "really happened,"or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.
I think that Shakespeare himself raided fairy tales and chronicle writers, and he always looked to people who worked in the mythic genres, whether it was folk tales or popular novels.
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