A Quote by Joseph Jacobs

In 1893, Miss M. Roalfe Cox brought together, in a volume of the Folk-Lore Society, no less than 345 variants of 'Cinderella' and kindred stories showing how widespread this particular formula was throughout Europe and how substantially identical the various incidents as reproduced in each particular country.
Wherever you go in Europe, you'll find each country has particular flavours in their baked goods. It is one of the big differences between Europe and the United States.
There are constraints on what counts as "Reformed." It's more than a name or a label. It's about belonging to a particular theological stream or tradition, which is shaped in important respects by particular thinkers and their work, particular arguments and ideas, a particular community (especially, particular church communities, denominations, and so on), particular liturgies or ways of worshipping and living out the Christian life, and particular confessions that inform the practices of these communities.
When we have an experience -- hearing a particular sonata, making love with a particular person, watching the sun set from a particular window of a particular room -- on successive occasions, we quickly begin to adapt to it, and the experience yields less pleasure each time. Psychologists call this habituation, economists call it declining marginal utility, and the rest of us call it marriage
Socially and politically, we seem to be living in dire times, worse times than in the past. But there were far worse horrors in our past. The writer's role is to be a truth sayer. I sincerely believe that each society, each country lives by a particular fantasy vision, a fantasy vision of itself. The truth of how they live is hardly ever faced.
One doesn't diminish a philosopher's achievement, and doesn't undermine its soundness, by showing how the particular set of questions on which he focused, the orientation he brought to bear on his focus, has some causal connection to the circumstances of his life.
In life, things do not always stay the same. There are certain alchemies that marry together at particular moments in particular places with particular people.
All of us grow up in particular realities - a home, family, a clan, a small town, a neighborhood. Depending upon how we're brought up, we are either deeply aware of the particular reading of reality into which we are born, or we are peripherally aware of it.
When we haven't the time to listen to each other's stories we seek out experts to tell us how to live. The less time we spend together at the kitchen table, the more how-to books appear in the stores and on our bookshelves. But reading such books is a very different thing than listening to someone' s lived experience. Because we have stopped listening to each other we may even have forgotten how to listen, stopped learning how to recognize meaning and fill ourselves from the ordinary events of our lives. We have become solitary; readers and watchers rather than sharers and participants.
Society is becoming less and less transparent. People no longer know where decisions that substantially affect their lives are taken, nor by whom, nor how.
Before the famine, which was in the 1840s, that was an emotional turning point... There are various documents showing how the Elizabethan English, in particular, were shocked by Irish displays of affection, by the way women acted toward strangers, walking up and putting their arms around them and kissing them right full on the mouth.
I am interested in people living in the margins of society, and I do have a mission to tell the stories of women of colour in particular. I feel we've been present throughout history, but our voices have been neglected.
Every film comes out of an intuition, where I'm at, at that moment in particular. But looking back on my work, somehow I get back to masculinity and how men are taught to avoid showing how fragile they can be, or to people who are in constant movement.
How could politics be a science, if laws and forms of government had not a uniform influence upon society? Where would be the foundation of morals, if particular characters had no certain or determinate power to produce particular sentiments, and if these sentiments had no constant operation on actions?
John Lilly suggests whales are a culture maintained by oral traditions. Stories. The experience of an individual whale is valuable to the survival of its community. I think of my family stories-Mother's in particular-how much I need them now, how much I will need them later. It has been said when an individual dies, whole worlds die with them. The same could be said of each passing whale.
Essentially, the life of expression is the ongoing journey of how we heal each other... for by telling our stories and listening to the stories of others, we let out who we are and find ourselves in each other, and find that we are more together than alone.
If Shakespeare's great plays are variants of stories, even novels, you can see how each character is telling his story from his perspective; each is vying with the others for dominance, but in the end, in tragedy, most of these voices will die, to be replaced by the yet more vigorous voice of a younger generation.
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