I was always looking for a career that could combine my creative interests with my technical side, and it ends up directing films is the perfect combination.
I always had some kind of creative side and technical side, and I thought architecture might be the way to combine them, so I went to architecture school in New York.
I always wanted to have a technical career that was also creative. I have been extremely lucky in that sense to be able to combine those two things.
I went to school for engineering, I studied jazz. So I always had this kind of creative side and technical side, and I thought architecture might be the way to combine them, so I went to architecture school in New York.
If you're just creative, you'll always have to rely on technical people. If you're creative and technical, you're unstoppable.
Interesting-looking people have always been comedians, and it's rare that someone who has the choice to model ends up being a comic. Except for maybe Whitney Cummings, but that's about it. That's why she's special: because she can combine it.
In order to become a well-rounded musician, you have to master the three major aspects of guitar playing: the technical side, the musical side and the creative side.
Very quickly I realized that directing is a combination of things: It's visual, it's directing the actors, it's telling a story. And people don't always mention this part of directing, but it's also knowing how to really edit something into something that makes sense.
I've always looked at directing as the next step for me in my creative career, and after spending the better part of the last decade on a television set absorbing as much as I could from in front of the camera, I'm now eager to learn as much as I can from behind it.
There was a combination of shyness and just fear of looking stupid that kept me out of a lot of interesting creative conversations that I could have had at an early age.
Too many creative people don't wanna learn how to be technical, so what happens? They become dependent on technical people. Become technical. You can learn that. If you're creative and technical, you're unstoppable.
Directing is the best job going. I don't understand why everybody doesn't want to direct. It's an absolutely fascinating combination of skills required and puzzles set on every level - emotional and practical and technical. It calls up on such a wide variety of skills. I find it completely absorbing. I just love the whole process.
I've always known that I've wanted to write, but I always saw myself doing that in the context of something other than film, so it was a really beautiful and kind of perfect moment in my life when I realized that I could combine this idea of wanting to write and tell my own stories with the environment I had grown up in and knew well - that I could make film as opposed to writing being a departure from what I knew.
There's something about looking at Super 8 films that is so evocative. You could argue it's the resolution of the film somehow because they aren't crystal clear and perfect,so there is a kind of gauzy layer between you and what you see. You could argue it's the silence of them. You could say it's the sound of the projector that creates a moodiness. But there's something about looking at analog movies that's infinitely more powerful than digital.
Being open source meant that I could work on the technical side (along with lots of other people), and others who had the interest and inclination could start up companies around it.
On the manufacturing side, surfing was a lot harder than sailing. You had to find guys who could shape, who could glass, and you're looking for good people among all these surfers, you know. Keeping the quality up was always a problem.
I don't know if I have a career or not, or where it ends or it begins. I have been working, doing what I do for a long time. But my creative process has always been so tortuous.