A Quote by Joseph Kosinski
I realized that I loved using computers to create something, but being an architect just wasn't going to keep me interested. The idea of a life spent obsessing over bathroom details for an Upper East Side penthouse was pretty depressing.
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One side of me is very busy paying attention to the details of life, the humanity of people, catching the street voices, the middle-class, upper-middle-class secret lives of Turks. The other side is interested in history and class and gender, trying to get all of society in a very realistic way.
In 1990, when I had just arrived in New York City as a wet-behind-the-ears 20-something girl from Arizona, I spent a year or more working as the personal secretary and secret ghostwriter to an American-born countess in her apartment on the Upper East Side.
Unfortunately, we are not painters and authors, where we can do something in isolation. We require a lot of money to create what we create. It's almost like being an architect: You can't be an architect and build whatever buildings you want to.
If it wasn't for O'Flanagan's Pub on Manhattan's Upper East Side, I don't know where I would have spent my Friday nights as a young man.
I have realized that you can close yourself off to life if you put walls up, but it's a difficult thing ... You can't see over, people can't see in, and you also can't see out. So I've gotten quite comfortable with just being unafraid. I keep saying the same thing: it's not about being fearless but really just embracing the fears and using them.
What surprised me about directing is how much I loved it and how happy I am to be on the set. I love coming to work in the morning. What I realized is that I never loved acting. I don't love being in the hair and makeup chair. I don't [love] being in costume. To me the strangest thing is that I've just spent the majority of my life in one aspect of this business, and because I was fortunate enough to become successful I never questioned whether I felt at home and found out later in life that I'm much happier directing.
Making music for Radiohead is like going to the bathroom, I'm just going to the bathroom constantly, and millions are watching me go to the bathroom.
This idea of popular culture became something that belonged to us rather than something that we looked at from far away. We realized we could be part of it and create it, instead of just being consumers only.
I champion the idea of being more conscious. I call it being an active architect of your own life. Building your life like an architect builds a structure.
The idea of having more technology solving this idea of hyperactive lifestyle is not really the mainstream problem. I think the real innovation that’s going to be rewarded will be on things like, let’s convert our computers from being tools to being companions. Let’s convert our computers from being utilitarian to being enlightening. These are human needs.
I started getting into Internet technologies and computers. I wasn't especially interested in being a musician, but I wound up finding my way back to being interested in music through computers.
When we fly planes over countries, dropping bombs on the evil ones, I think we're doing something very similar to what's being done when the infidels are getting their comeuppance with planes going into buildings. So it's gotten to the point where if we are not healthy psychologically as a human society, we will not have a planet to live on. And that's what keeps me up at night, when I see so little focus on the behavioral side of these problems, and the idea that just politics, or just physical science, is going to solve this.
The biggest audience for Off Broadway is mostly coming in on a train - either Upper East Siders or Metro-North. I go to the theater, and everyone around me is over 50. How interested will they be in my kind of work?
I was thinking maybe about being a lawyer. I realized I was interested in becoming a priest at one point. I was just interested in stuff where I could do something I really believed in. And then, I realized if I become an actor, I don't have to choose. I get to do everything. It's worked out so far. But what I really want to do is direct.
During my career as a standup and actor, I realized it was very frustrating for me to get hired because Hollywood was hiring a different kind of brother, you know, and I was doing political humor... In order for me to really have a long career, I'm going to have to learn how to write and produce for myself... I had no idea I was really going to like it and I'm very fortunate to be successful. But the idea was to always eventually create something for myself. That was the idea from the beginning when I went into writing and producing.
My grandfather and his wife came to America at the end of the 19th century from Hungary. Everyone started out on the Lower East Side. They became embourgeoise and would move to the Upper West Side. Then, if they'd make money, they'd move to Park Avenue. Their kids would become artists and move down to the Lower East Side and the Village.
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