A Quote by Joseph M. Kahn

John Hughes made a certain type of high school movie, and then it stayed static for 30 years. The only thing that changed was that maybe it was found footage or maybe it's a little snarkier, but the actual language that kids live in today, like with texting, motion graphics, the internet and that whole hashtag culture doesn't exist in movies today. It's left on the floor.
Most of the stuff that people look at on Quora today was not written in the last month. You write something really good, and maybe it's the definitive answer on the Internet for the next 10 years. Maybe it's only a year, but not like a tweet, where it's only relevant for a day or a week.
I was probably just graduating high school, maybe still in high school. When I was still in high school, maybe the last two years, I was rapping but I wasn't telling anybody. When I signed my deal people didn't know it was the same Ryan Montgomery from Oak Park High School, because I used to play basketball and I used to fight. Like I'd bring boxing gloves to school. So when they found out, it was, "You mean Ryan who be boxing?" or, "Ryan who be hopping up at the park?" So I was known as that guy.
Every single Asian dude who went to high school or junior high during the era of John Hughes movies was called 'Donger,'
Maybe that is why there are not a whole lot of problems between the church and worldly culture today, because we are not confronting the culture around us.
For me, the reason to make the movie is that if people like the comic, then people would like the movie if it was well made. There are good movies for them, but very few. And I mean that in a true sense. If they love your story for freaking 30 years, then they can do a movie about it.
When you leave WWE, like, when I left, I was thinking, 'Maybe I'll take, like, a year off, and in that year, I'll probably do a Marvel movie, maybe a couple of movies. I don't know.' And, obviously, completely unrealistic.
We've made some heroic efforts, but the Earth as a whole is in worse shape today than 30 years ago, ... There's been 30 more years of greenhouses gases, species extinctions and population growth.
After so many drive-in waitresses becoming movie stars, there has been this real drought, when along come class; somebody who actually went to school, can spell, maybe even plays the piano. She may be a wispy, thin little thing, but when you see that girl, you know you're really in the presence of something. In that league there's only ever been Garbo, and the other Hepburn, and maybe Bergman. It's a rare quality, but boy, do you know when you've found it.
When you put more than a million kids in school, you take a plane today and go to Haiti, you cannot see the results. You will see the results in 30 years when you see a different type of Haitian.
You get into moods - like, if somebody does something to you, then you're angry for maybe 30 seconds, or maybe 30 years. I was always interested in capturing those awful, unflattering things that everybody goes through - those hot moments, captured in ice.
I think saying 'a John Hughes movie' is just shorthand for a lot of people to say 'a coming-of-age story,' because I think, when you're of a certain age, that's what John Hughes means to you.
To start your working life after you've graduated from school and university, it takes you a long time to get started in the real world. Today, kids are not out into the workforce until 27 or 30 years of age. By the time I was 30, I had six kids and 60 trucks.
I first saw Dead Man in high school, and it changed everything. That movie was like a memory to me - I would get things that occurred in that movie confused with my actual life.
The only thing I knew in the world as a little kid was comedy. And no other kids in my school cared about it at all. There was no one to talk about it with. You know, we're in a geek culture now where comedy is so giant. I'm one of the people that, you know, works on Funny or Die. And there is just a giant culture of comedy nerds. But back then, I was alone, and I had a little confidence about it because I felt like, this is my thing, this is the only thing that only I know about.
In the U.S., some extraordinary movies have been made on politics and social issues. We learned lots of things from American cinema. But in the last ten or fifteen years, this has changed drastically. Today, that kind of movie is much easier to make in Europe.
[John] Hughes was well aware that to ignore the seriousness of young people is to encourage things like Columbine, so you might want to listen. And we were all pretty serious, a little bit, in high school. Some a little more than others.
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