A Quote by Josh Fox
Watching a film should feel like you just tore a hole out of the air and the void caught fire.
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We wept, Brooklyn was a lovely place to hit. If you got a ball in the air, you had a chance to get it out. When they tore down Ebbets Field, they tore down a little piece of me.
When the Saracens came to attack him, they threw Greek fire onto the barrier he had made; and the fire caught easily, And you should know that the Turks did not wait for the fire to burn itself out, but rushed upon the Templars among the scorching flames.
Much like film, authors spend a fair amount of time alone in the creative process, tossing their work out into what can feel like an abyss, void of real people.
I personally feel like, if you're watching a film about war, you should get a sense of what it's really like.
There is, in every event, whether lived or told, always a hole or a gap, often more than one. If we allow ourselves to get caught in it, we find it opening onto a void that, once we have slipped into it, we can never escape.
The biggest moments of insecurity come when all self-confidence is lost and you feel like people are watching and judging. It should be the opposite. You should feel like the people who are watching care about you. This is something we can try to give each other – the feeling that eyes signal support, not disdain.
You didn't plan to write a story; it just happened. Well, it could be argued that the next thing you should do is find a hole to dig. Right? So you start digging a hole and then somebody brings a body along and puts it in. That's what a story must feel like to me. It's not that you say, "I want to write a story about a gravedigger." But you're walking along and "I don't know what I'm doing here in this story,' and - boop! a shovel. "Oh, interesting. Ok, what does one do with a shovel? Digs a hole. Why? I don't know yet. Dig the hole! Oh, look a body."
When I set out to make 'Bourne Identity,' my main goal for the franchise was to create something where it feels like you're in the action. You're not just passively watching it from far away. That's something that I have constantly aspired to do - even in 'Swingers,' to feel like you're Jon Favreau; you're not just watching him.
Like the famous mad philosopher said, when you stare into the void, the void stares also; but if you cast into the void, you get a type conversion error. (Which just goes to show Nietzsche wasn't a C++ programmer.)
Sometimes you wake up with mini panic attacks where you feel like 'Oh my God! I don't have a film right now! Should I just do something that comes my way because I don't have another film?' But I feel at the end of the day, your gut takes over.
There is a void in your soul, ready to be filled. You feel it, don't you? You feel the separation from the Beloved. Invite Him to fill you up, embrace the fire.
As an audience member, if I go to a film, and I am watching two actors, and they're kissing, and it looks like they don't even want to be kissing, it just takes me out of the film.
I caught on fire twice on the stage, but I was promptly put out. It was just my leg.
I caught on fire twice on the stage, but I was promptly put out. It was just my leg
When a car's ahead of you, as long as you can see it, you get a tow, just like the draft in NASCAR. Even if it's a long ways down the track, it punches a hole in the air that has to help. When you're running alone, you can feel the difference, and it shows on the clock, too.
TORONTO -- When Cameron Crowe was flying to the Toronto film festival recently, he walked down the aisle of the plane and studied his fellow passengers sitting in front of their personal TV sets. They were just having the greatest time, there was so much joy in their eyes, .. And I looked to see what they were watching. And it was all out-and-out comedies. So many people watching The Longest Yard. And I just got the feeling that, 'You know what? People just like to let it all go, and have a laugh'.
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