A Quote by Josh Radnor
But, yeah, I'm really happy when I'm writing. When I'm being creative and when I have something that I can put down. You know, if you go out and you overhear a conversation or you have a thought, you have a receptacle to go home and say, 'Oh, this would be great in this script.' Your antenna's out in a different way, and I love that time.
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I'm self-critical but also, I'm not a very modest person. I'm self-critical in the lead-up to showing anyone anything. You know how people say they write, like, 30 songs and then they'll pick the ones they're going to put on the record? I don't ever get to that point because I self-edit so harshly at the beginning. I would never let anyone hear something that I wasn't happy with. But then once I've made it, I'm also not going to turn around and go, "Oh, yeah, I don't know..." If I'm putting it out, anything creative that I do, I think that it's good, otherwise I wouldn't put it out.
One of the things when you write, well the way I write, is that you are writing your scenario and there are different roads that become available that the characters could go down. Screenwriters will have a habit of putting road blocks up against some of those roads because basically they can't afford to have their characters go down there because they think they are writing a movie or trying to sell a script or something like that. I have never put that kind of imposition on my characters. Wherever they go I follow.
On 'Euphoria,' it's so fun because we're all the same age, so being able to hang out and go out together and go to different events together has been so fun compared to always being the youngest on set, which was really fun, but it's like, you're going to go home to your husband or wife, and I'm going to go home to my dog.
It's funny how people will think I'm being sarcastic a lot and joking. So I'll say, "I like your dress," and they'll go "(bleep) you!" Or I say something serious and they go, "Oh, yeah, ha-ha." They're strangers. They're people who know me from comedy, but luckily I am on pretty much all the time!
You know," I said, holding my ground. "I gotta tell you. The goatee thing? Yeah, way over. And you know a little jewelry really does go a long way. Just something you might want to consider. I'm actually glad you stopped by, because I have a couple things I've been meaning to say to you. Number one, about your wife? Yeah, she's a skank. And number two, you know that whole thing where you killed Jesse and then buried his remains out back there? Yeah, way un-cool.
I'm writing all the time, really. It's become a little bit of a problem when I go home. Sometimes I should really go out and hang out with my friends, but what happens is I get really inspired and then just go and mess around on the computer.
When I was doing the screenplay, people who read the book Call Me by Your Name would go, "Oh god, what are you going to do about the peach scene?" I'd say, "I don't know, but I'll do something." And finally I figured out that there was a way of doing it without being totally graphic. You can do it in a way where the audience gets it and accepts it.
I love to be creative and to put flesh onto the ideas that are inside of me. And there are not that many great programs that are coming out through Hollywood, and I'm tired of waiting around for someone to hand me a good script, so I'm going to go and produce something.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
I examine it [pain] every which way. Why do I really feel this way? What's going on here? I have to really explore it all the way out, drill it down to its lowest common denominator and go, Oh! That's what that is. I'm feeling insecure. Or, Oh! God has something better for me.
In any creative endeavor, you do have to sort of take your shots. Nobody is going to beg you to go into the creative arts. So, if you want to pursue a career in something like acting or writing, the motor and the drive have to come from you. And that does take courage because, A, a lot of people want to do it, and B, it's hard. So, you have to have the guts to put yourself out there and go for it in spite of the world saying, "You know, it would be so much easier, if you didn't pursue this." So, it does take guts.
If people weren't watching, I'd be so much more eccentric. I know it makes me sound weak, but rather than make myself happy and wear the silly hat and say, 'Oh, I don't care,' I actually really don't feel like getting made fun of. So I put on something boring and navy and go out and try to disappear.
I think whenever I've thought something might go well, it hasn't, and when I've thought, 'Oh yeah, just chuck it out there,' that's when it kicks off, so now, I don't claim to understand anything.
The best marriages are the ones where we can go out in the world and really put ourselves out there. A lot of times we'll fail, and sometimes we'll pull it off. But good marriages are when you can go home and know that your vulnerability will be honored as courage, and that you'll find support.
It's kind of impossible not to, especially in such a media-driven world.... But, yeah, I'll go home and one of my friends will say, "Oh my gosh, those shoes are so cute." And I'll say, "Oh, they're Christian Louboutins." And they're like, "What?" So yeah, I've definitely learned more names.
No one would say, 'Hey, I think this medicine works, go ahead and use it.' We have testing, we go to the lab, we try it again, we have refinement. But you know what we do on the last mile? 'Oh, this is a good idea. People will like this. Let's put it out there.'
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