A Quote by Josh Radnor
No matter how dark things may get in a story, I feel it's the responsibility of the storyteller to leave the audience with at least a shred of hope.
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When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
Wherever you are, whatever your circumstances may be, you are not forgotten. No matter how dark your days may seem, no matter how insignificant you may feel, no matter how overshadowed you think you may be, your Heavenly Father has not forgotten you. In fact, He loves you with an infinite love.
You have to always continue to strive no matter how hard things get, no matter how troubled you feel. No matter how tough things get, no matter how many times you lose, you keep trying to win.
I feel like my job as a storyteller and director is to create an experience where the audience forgets they're in a cinema and can get lost in the story. Things popping out of the screen call attention to the artifice of what you're doing, so I use 3D as more of a window into a world behind the screen.
You turn the computer into the storyteller and the player into the audience, like in the old days when the storyteller would actually respond to the audience, rather than just having the audience respond to the storyteller. I had an enormous amount of fun, actually, working on that.
When I make film music, I'm a filmmaker first and foremost. It's about serving the needs of the film. You're telling a story; in a way, you stop becoming a composer and become a storyteller instead. You tell the story with the most appropriate themes. How you approach these things is a very personal matter, but your goal is to tell the story first.
After all, it was only a story,' I said, determined to prove her wrong. 'All manner of terrible things may happen in a story. They may be startling at the time, but it passes. One gets caught up in the narrative, but the dangers aren't real, are they? Things happen in any way the storyteller chooses. It is all just made up.
Working with Robert, Robert [Elswit] is a storyteller. He's not a cinematographer, he's a storyteller. And to me, that's the graduation I hope to get to in my profession. That I'm not just an actor, I'm a storyteller. And I think that takes a long time in, when you have one job on a movie set. Makeup artists, actor, whatever. To graduate from just that to storyteller.
I think a lot of bands would just make a dark, bleak album, which is why we wanted to do the opposite. We wanted to let people know that there's hope out there, and that no matter how tough things get, they will always get better. I'm really proud of that.
The only other person I have fallen in love with that way is Jesus, and I hope that goes more smoothly. I hope I remember, when I'm bored with Him, and antsy, and sick of brushing my teeth next to the same god every morning, I hope I remember not to leave Him. I am not so worried that He will leave me. The Bible, after all, is full of stories about God sticking with His Bride, no matter how stiff-necked and prideful and unfaithful she may be.
However, one new theory says that dark matter may be ordinary matter in a parallel universe. If a galaxy is hovering above in another dimension, we would not be able to see it. It would be invisible, yet we would feel its gravity. Hence, it might explain dark matter.
I think there's always been hope in my songs, no matter how they've first appeared. I think there's always been a shred of hope in everything I've written 'cause I like that balance.
Trust the story ... the storyteller may dissemble and deceive, the story can't: the story can only ever be itself.
I always want to cut every single line, possibly, that is mine from the script. One of the first things I do on any script is to shred, shred and shred my lines.
Any time someone doesn't like one on the first run, I hope they will give it another shot. At least we'll get another chance. But I do feel, in my approach, I am not really a minimalist. I don't like to leave out ideas that I think could add something to the story. Sometimes, you can't quite pick up on all of it in one sitting. It's not by design. But maybe it's a side effect of my approach.
One of the rules that I always follow is that no matter how crazy characters may act, and no matter how absurd or strange their actions may be, that it's justified in the character's mind why they are doing it. Not to get all heady about it, but it's fun for me to test how far I can go with things while still keeping it grounded enough that you believe that the character really believes that what he's doing will get him what he wants. It's a personal challenge to me to see how far I can go with that.
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