A Quote by Josh Smith
It's a stage with four lights clamped to it with walls made out of plywood. And then my name's in the center. It's the type of thing that can be made over and over again. It's not like a Michelangelo sculpture.
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I made three or four different fonts during 'Short Term 12' -' it was how I'd calm my mind between scenes. I have graph paper and gel pens, and I would do the alphabet: just do 'a' over and over again until I got it perfect and then go to 'b' and then 'c'.
If I'm really considering doing film from now on then that is the smart thing to do, or you can go either way. You can just do the same character over and over again and make a different comedy like over and over again.
Within the small crew of people who hold the media's many 'NeverTrump' positions, the Ethics and Public Policy Center's Pete Wehner doesn't get enough credit for writing the same thing over and over and over and over and over again.
I loved 'Friday Night Lights' because it was totally committed to every facet of its storytelling. Incredible actors, story lines that weren't easy or predictable. It made me laugh, and it broke my heart over and over again.
Being on stage is magic. There's nothing like it. You feel the energy of everybody who's out there. You feel it all over your body. When the lights hit you, it's all over, I swear it is.
The mistake we have made in our lives is that over and over again we've run into the needful moment and then failed to learn its higher lesson. We don't like needful moments and therefore we resist them.
To be a writer is to throw away a great deal, not to be satisfied, to type again, and then again and once more, and over and over.
No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding.
It sucks that we miss people like that. You think you've accepted that someone is out of your life, that you've grieved and it's over, and then bam. One little thing, and you feel like you've lost that person all over again.
When I first heard that they were going to make 'Beauty and the Beast' at Disney, I was like, 'Oh, God, there's no way I'm going to see that movie,' because I knew what that movie was, was just two people sitting down to dinner over and over and over again. But then when I went to see it, it was like, 'Oh, they made it work.'
Men, women and children too, ran hysterically, falling and stumbling, getting up, tripping and falling again, rolling over and over. Most of them managed to regain their feet and made it to the water. But many of them never made it and were left behind, their feet drumming in blinding pain on the overheated pavements amidst the rubble, until there came one last convulsing shudder from the smoking 'thing' on the ground, and then no further movement.
I've made a career making stuff that nobody sees, so anything that I can do to help make something that people are going to enjoy and want to see over and over again, then I'm there.
Obama made his no-new-taxes pledge over and over again four years ago as he campaigned. Not only has he repeatedly and blatantly violated it, but his policies have relentlessly assaulted poor and middle-income family budgets.
I was still owed an explanation, I thought, but so what? What good was it going to do me? It wouldn't have made me any happier. It was like scratching when you have chicken pox. You think it's going to help, but the itch moves over, and then moves over again. My itch suddenly felt miles away, and I couldn't have reached it with the longest arms in the world. Realizing that made me scared that I was going to be itchy forever, and I didn't want that.
I have to stay interested. I can't do the same thing over and over again, which is why I don't do - I've made sequels, but it's the movies that are not sequels that I enjoy the most.
When you're onstage, it's important to try and feel some type of therapy in getting the material out, because then you don't leave the stage so tired. If you're onstage and you're doing the same routine over and over, then it gets monotonous. You want to be able to try to get to the truth constantly, and I think the more you do that, the easier it is.
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