A Quote by Joshua Michael Stern
As a director, you just have to kind of like just get through the first project before starting on the next one.
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I'm working on a few different films and I'm just searching for the right new story to tell. As a director, you just have to kind of like just get through the first project before starting on the next one.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
I feel like the books were just written like a movie. You read it and you can just kind of see everything. Before I went in to read with the director, I read the first book and I loved it. I didn't realize how good the writing was. And then I went in and read with Gary Ross, and that was it.
For me, the greatest kind of success that I've had on a particular project or in exploring a role does come through collaboration. I wouldn't want to do a movie where everything I do the director just says, "Good job" and I'm under directed.
The first draft is just a skeleton-just bare bones. It's like the very first rehearsal of a play, where the director moves the actors around mechanically to get a feel of the action.
Know the story before you fall in love with your first sentence. If you don’t know the story before you begin the story, what kind of a storyteller are you? Just an ordinary kind, just a mediocre kind – making it up as you go along, like a common liar.
I had just screen-tested with the director for another prince for a Disney project. I won't say which one, but I'd kind of been through the process with that - and I was so gutted that it didn't work out. I said to my agent, I'm swearing off princes for a little bit.'
I don't really feel pressure. I'm so distracted by what we're doing; I'm doing this four-acre project, it's just absorbing all my attention. Before you know it we're onto the next project, and so on and so forth.
I'm rebelling against being handed a career, like, 'You're the next this; you're the next that.' I'm not the next anything, I'm the first me. I can't be myself, I can't just be Idris Elba. But that's just the nature of the business.
Some writers are writing one great, big book and just taking all these different avenues towards it. They might seem on the outside to be different, but they're really not. And that's a different kind of mindset. I don't know why it is, but I just feel like I really want to escape myself as much as I can - myself as the artist, or as the writer, or as the thinker - with each new project, because one, it's just boredom, but also, I guess I just feel most comfortable starting a new book if I just feel a little in the dark about it.
I just travel all the time. And I was just looking at the schedules now and starting the first week of October I will be every weekend with somebody at tournaments through Christmas. So it gets very difficult to just go away and not do that.
It's not a great feeling for a film to suffer financially, but you can't sit and mope about it. You just have to just move on to next project - I try to always be working on a new project when my last one hits the theaters.
Before I transitioned, I felt like I could walk on stage and just, like, say anything and people would just laugh. And that's kind of a privilege that I just lost through the layers of social context and me being visibly a political object in a lot of people's brains.
I got my Wrestling With Whiskey kind of side passion project and I'm kind of turning into more content and stuff like that... You know just exploring everything in front of me and just trying to spread my grass.
He wasn't into one-night stands, he wasn't into scoring just to see if he could, he wasn't into acting just charming enough to get what he wanted before cutting loose in favor of someone new and attractive. He just wasn't like that. He would never be like that. When he met a girl, the first question he asked himself wasn't whether she was good for a few dates; it was whether she was the kind of girl he could imagine spending time with in the long haul.
At first, after my freshman year, it was kind of a joke, going into my sophomore year like, 'Hey, I wanna graduate in three years, two-and-a-half.' And we were just kind of playing with it, added some extra classes in, and then once I finished that following spring going into that next summer, it was just like, 'Hey, I can actually do it.'
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