A Quote by Joshua Oppenheimer
You see, 'The Look of Silence' is the first film ever made where survivors confront perpetrators who still hold a monopoly on power. It's normally never done because it is too dangerous.
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I also loved that there [in Into the Forest] was a beautiful balance to it, where they were strong and survivors and doing things in the film that we normally only see men do, but they were still human and vulnerable, and they still broke and had moments of weakness. That's something that we don't often get to see in these films, either.
When you cannot hold the body still, you cannot hold the brain still. If you do not know the silence of the body, you cannot understand the silence of the mind. Action and silence have to go together. If there is action, there must also be silence. If there is silence, there can be conscious action and not just motion.
For the first time in our history, ideology and theology hold a monopoly of power in Washington.
That's what Judith Herman is saying, and she's absolutely right. Power then breeds an intensification of all because the power can never be absolute power - to some extent it's stymied - but the isolation while in power becomes even more dangerous. Think of it as a vicious circle. The power intensifies these tendencies and the tendencies become more dangerous because of the power.
All the aftermath that so frequently follows in the wake of war still confront the nation, and we now, as ever before, must hold fast to the ancient landmarks and see to it that all of these plagues that threaten so mightily shall be rendered harmless.
I wanted to resist in 'The Look of Silence' making a film that ends with any kind of positive hope I feel in human rights documentaries dealing with human survivors.
Not only do I look at the playback with the actors, but I look at the on-set assembly footage with the sequences with my actors as well. These are the reasons why I take twice as much time to shoot a film in Korea. Thinking back, I remember on my first ever Korean film, I never used any playback or on-set assembly, so all I had to do was to tell myself it's just like making my first ever Korean-language film. After that, I felt right at home.
My first big disappointment is always, why don't I look like Julie Christie? Then I realise I don't look remotely like Julie Christie, and that's always a great sadness to me. Because I used to think I might have done, at one time. And I'm too fat. And I'm too old. You always see your faults, you see.
All these think tank experts in Washington at the Woodrow Wilson Center say, "It's really, really a dangerous thing. It's just not right. The president of the United States should never, ever make his first foreign trip to the Middle East! Never, ever. Because it's too fraught with potential disaster. Because President Trump clearly is not sophisticated enough to know the idiosyncrasies, the customs, and the requirements." That's right, no president ever has. Do you know that there has never by a direct flight from Riyadh, Saudi Arabia, to Tel Aviv until Donald Trump did it? Never.
He gave me a look at myself I've never had before. He saw something in me nobody else ever did. He made me see it too. He made me believe it.
Computers can do better than ever what needn't be done at all. Making sense is still a human monopoly.
I'd never been to Africa. This really was my first film [The Lost World]. I'd done 10 years of stage. I'd done a little bit of television. But this was my first film.
Never let people see what you want, because they will not let you have it. Never let anybody see what you feel, because it gives them too much power. You're probably better off not showing weakness whenever you can avoid it, because they'll go for you.
(in the film "That's Entertainment!" - 1974) Thank God for film, it can capture a moment and hold it there forever. If anyone ever asks you: "Who were they?" or "What made them so good?" I think a reel of film answers that question.
The mere possession of monopoly power, and the concomitant charging of monopoly prices, is not only not unlawful, it is an important element of the free-market system. The opportunity to charge monopoly prices - at least for a short period - is what attracts 'business acumen' in the first place; it induces risk taking that produces innovation and economic growth.
If you make a film, that magic is not there, because you were there while shooting it. After writing a film and shooting it and being in the editing room every day, you can never see it clearly. I think other people's perception of your film is more valid than your own, because they have that ability to see it for the first time.
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