A Quote by Jourdan Dunn

I go to castings and see several black and Asian girls, then I get to the show and look around there's just me and maybe one other coloured face. — © Jourdan Dunn
I go to castings and see several black and Asian girls, then I get to the show and look around there's just me and maybe one other coloured face.
If there’s a thing, a scene, maybe, an image that you want to see real bad, that you need to see but it doesn’t exist in the world around you, at least not in the form that you envision, then you create it so that you can look at it and have it around, or show it to other people who wouldn’t have imagined it because they perceive reality in a more narrow, predictable way. And that’s it. That’s all an artist does.
My castings sort of go in phases. There'll be several icy professional parts - a lawyer or a cop. And then there'll be the intelligent-but-wounded group and then the period things. It goes in sequence.
If I had a million dollars, I just wouldn't just completely set back. I'd have to get out there and show my face to all these good people who like me, I have to get out there and show my face. The only thing that would set me back if I get sick or something or pass away, that's all you can do about that you know. But as long as I got my health goin' pretty good, I'll show up around here.
Maybe some people look at me and just see a footballer, or a black footballer. But I am much more than this. I tell my best friends all the time, 'If you look at me as a footballer, and not as Little Kouli, and not as your friend, then I have failed in life.'
I wish I could just make you turn around, turn around and see me cry There's so much I need to say to you, so many reasons why You're the only one who really knew me at all So take a look at me now, 'cos there's just an empty space And there's nothing left here to remind me, just the memory of your face Take a look at me now, 'cos there's just an empty space And you coming back to me is against all odds and that's what I've got to face
Throughout my career, I have benefitted from the experience and counsel of a wide range of people who took a very personal interest in me. As a result, I am always happy to share lessons learned from my journey with others. I am particularly passionate about mentoring young black girls. While we are a very diverse group, there is a special bond that connects us to each other. When I work with them, I see them in me and I believe they see me in them. By coming together, we are able to show the world the power and the promise of black girls.
I have to also get into producing if I want to see these stories being made... Let's venture out and do projects with people of different ethnicities: not just black but also Asian actors and Asian superhero films. Just an equality across the board.
We are in a diversity age. I talk about the lack of diversity for black Americans, but what about the Asian Americans? You don't see them very often. They have a show called 'Fresh off the Boat.' No one is talking about that show. I saw it, and I found that show completely offensive, but I'm not Asian American.
My comedy has no color, it's for everybody, black, white, Latino, Asian. It's not a pro-black show, not a def jam show; it's just straight, wholesome type of humor.
Let's face it. How often do you see an Asian face in films and television? They are practically invisible. Now and then, you will get one, and, interestingly, he gets the role of a scientist. Isn't that interesting?
I mess with white girls, Asian girls, Spanish girls, black girls, everything.
I had $20 million in the bank, girls are following me all over the f - place, people call my name everywhere I go. What would I change? And then one day you get onstage and you see two little girls who look like they are 11 years old sticking their tongues out and pulling their bras down and you quit touring. That's what happened to me.
We must face the No. 1 critical issue of our day. It is youth crime in general and black-on-black crime in particular. There is nothing more painful to me at this stage in my life than to walk down the street and hear footsteps and start thinking about robbery. Then look around and see somebody white and feel relieved. After all we have been through, just to think we can't walk down our own streets, how humiliating.
For me, I look at a pilot and go, 'I see the landscape. I see the characters. I see the direction and the potential of the story.' And I also go, 'That didn't work. I could change that. Maybe that works. I don't know. We'll see.' For me, I look at it, as an actor, as what can I improve upon?
Look, you're here to see me, and I can't go on until my dealer is here, and he's waiting to be paid, so give me some money so I can fix up, and then you'll get your show.
I hope that when people see Asian women, they realize we are all different. A lot of time with Caucasian people, they just group us together as Asian. But even with different cities in China, people have different personalities... We look Asian, but we still look different. We don't look the same.
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