A Quote by Joyce Carol Oates

The - the sort of thing that I want to do is to strike a resonant chord of universality in other people, which is best done by fiction. — © Joyce Carol Oates
The - the sort of thing that I want to do is to strike a resonant chord of universality in other people, which is best done by fiction.
Truth is not only stranger than fiction, it is more telling. To know that a thing actually happened gives it a poignancy, touches a chord, which a piece of acknowledged fiction misses. It is to touch this chord that some authors have done everything they could to give you the impression that they are telling the plain truth.
We learn best - and change - from hearing stories that strike a chord within us.
By adopting a certain physical posture, a resonant chord is struck in spirit.
Over the years I have become convinced that we learn best - and change - from hearing stories that strike a chord within us.
I'm not an abrasive person. I do speak my mind, but my goal is never to offend. I don't intentionally want to strike a chord.
People didn't know me. So, I had to strike a chord and build relationships.
There are certain aspects, and there are - there are 15 attributes of winners and winning slogans. "Which side are you on" sounds divisive, that you're on one side or the other, at a time when we actually want universality. We want unanimity.
A scale is just the notes that are in a chord played one at a time instead of together. That's what has allowed me to go through the possible notes that work with a chord and make choices about which ones I like best. I go through by ear; you can do it by theory too, but the best way is to learn by ear.
Metaphysics of Evolution: What is Matter & Life? 'Recent discoveries from Russia confirm that DNA / Genes are resonant structures which are subtly interconnected to their environment. i.e. Genetic material can be manipulated by waves with certain resonant frequencies.'
Steven Pinker says, the invention of printing and the widespread appearance of fiction - this taught empathy. If you read a novel, you're in someone else's head, in three, five different people's heads. Suddenly, the principle of "Don't do anything to anyone that you wouldn't want done to you" becomes real in people's minds. That's a fantastic achievement if fiction is indeed partly responsible for it. That's a great thing to be a part of. In the end, then, I don't know if writers have legislated, but they have civilized.
I believe that science is best left to scientists, that you cannot have managers or directors of science, it's got to be carried out and done by people with ideas, people with concepts, people who feel in their bones that they want to go ahead and develop this, that, or the other concept which occurs to them.
A huge amount of our everyday thinking - powerful, creative, and resonant stuff - is done socially: talking to other people, arguing with them, relying on them to recall information for us.
My writing process is ritualized and monotonous, but there's no other way to get the job done. All other fiction writers I've met say the same thing.
Sometimes, I think the best kind of poem is one in which there is an acute balance between what is humorous and that which is very serious. That balance is very hard to strike. But it can be done.
[Donald] Trump, I think, is the sort of guy that if he maybe thought he'd made a little bit of a mistake, would find a way out, he wouldn't want to say, "Well, that's what I've done and I'm sticking to it, and I don't give a damn." Which is what the other people in America would be like.
I cannot say how strongly I object to people using other people's writing as research. Research is non-fiction, especially for horror, fantasy, science fiction. Do not take your research from other people's fiction. Just don't.
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