A Quote by Judd Apatow

'Deadwood.' I could have watched that forever. — © Judd Apatow
'Deadwood.' I could have watched that forever.
I actually never acted on "Deadwood." I have meetings all the time where people look at my IMDb page and see that I played the part of "Accounting Clerk" on Deadwood. Actually, I was the accounting clerk for production of "Deadwood."
I was a big fan of the show 'Deadwood' on HBO, which was created by David Milch. And as soon as I heard that all of those characters on Deadwood were based on real people, the first thing I did was Google everybody.
That could stay, not forever, because we believe that nothing exists that is forever, not even the dinosaurs, but if well maintained, it could remain for four to five thousand years. And that is definitely not forever.
I was a huge 'Deadwood' fan because I'm a huge David Milch fan, so I've always wanted to play something like Calamity Jane on 'Deadwood' and just be the biggest Western tomboy girl, ever.
I watched 'Alien,' and I watched 'The Girl with the Dragon Tattoo,' the Swedish version. I watched the original 'Texas Chainsaw Massacre,' and I watched the Jessica Biel version and watched Jessica's performance.
If you squint at 'Deadwood,' you can see 'Game of Thrones' coming. That's the show that first got me thinking 'Carnival Row' could be a series.
I waited just to see you at that kind of peace, I wanted to be beside you, I wanted you to wake up slowly or startle, or just half awaken and turn over or murmur my name. I wanted to watch you forever, or sleep beside you forever, or sleep forever while you woke and watched me, something forever anyway. I wanted to kiss you, rumple your hair, rest three fingertips on your hip bone warm and smooth, wake you that way or hush you back to sleep.
I decided.. that I could go on being scared forever, that I could keep walking, that I could carry my rage around, hot and heavy in my chest forever. But maybe there was another way. You have everything you need, my mother had told me. And maybe all I needed was the courage to admit that what I needed was someone to lean on.
As long as I could remember, since I was 5 years old, I watched the Stanley Cup. I stayed up, made a point of watching it presented, watched the celebration in the locker room, and always dreamed that maybe I'd get there.
I've watched 'The Daily Show' forever. So being a part of it is surreal.
We, their hearts, become fearful just thinking of loved ones who go away forever, or of moments that could have been good but weren't, or of moments that could have been found but were forever hidden in the sands.
Every Sunday on Channel 6 in Guadalajara, where I lived, they dedicated most every Sunday to black-and-white horror films and sci-fi. So I watched them. I watched 'Tarantula.' I watched 'The Monolith Monsters.' I watched all the Universal library.
This is the thing to bomb. This is the beginning—from "I" to "we". If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know that Paine, Marx, Jefferson, Lenin were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I", and cuts you off forever from the "we".
My grandmother, whom I adored, and who partly raised me, loved Liberace, and she watched Liberace every afternoon, and when she watched Liberace, she'd get dressed up and put on makeup because I think she thought if she could see Liberace, Liberace could see her.
One could go on revising a prose page forever whereas there is a point in a poem when one knows it is done forever.
I watched Gretzky, I watched Lemieux. Maybe it's the time when you're playing, but for a kid coming into the league, you play the Boston Bruins and you just watched Bobby Orr.
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