A Quote by Judd Apatow
I always thought it was important to overdeliver, and when I got one of my first jobs, writing jokes for Garry Shandling when he was hosting the Grammys, I stayed up all night and wrote a hundred jokes, and I thought, "I'm always going to be the person that gives them more than they requested, and that's why they'll want to keep me around."
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I wrote on the Grammys, and a few times for Garry Shandling when he was hosting. I couldn't have enjoyed those gigs more, because I would get to collaborate and try to make people I looked up to laugh, but for the most part, when you're as talented as they are, what they really want is someone who can type fast and whose presence makes them feel in the mood to write and spew and be creative, and I was a good person to have in the room.
Jokes rot. They're not like songs. I always envy singers - Sting is always going to sing 'Roxanne'. But people want to hear new jokes. I've written jokes as good as 'Roxanne', I believe. But I can't tell them again.
Tweeting is a great way to practice writing jokes, but there is so much more to comedy writing than just jokes. Jokes are a necessity, but you also have to learn how to write characters, to break a story, to keep coherence between episodes. I've learned more by being a TV writer than I ever could've on my own.
Garry Shandling is someone I've publicly gone gay for, for jokes. Oh and anyone in the Twilight movies. I don't know any of their names, but all of them. The wolves, the vampires? They're all fantastic.
I think I have got a lot better as an interviewer. I let people talk now which is something you need to do. At the beginning I thought jokes, jokes, jokes, I am a stand up comedian but I think I have mellowed out now.
There's a lot of guys up there who like wearing a suit or try doing jokes that they think will play to a certain crowd, or maybe get them corporate work. I've always written jokes that I would want to hear. So, I'm trying to entertain myself more than anything.
Garry Shandling's stand-up specials were masterpieces of tightly crafted stories that delivered both hard jokes and hard truths. He was neurotic and self-deprecating, and his observations on life cut deep.
I wasn't one of those kids who grew up wanting to write or who read a particular book and thought: 'I want to do that!' I always told stories and wrote them down, but I never thought writing was a career path, even though, clearly, someone was writing the books and newspapers and magazines.
I get the privilege to play with Mesut every day. He is a world-class player. He gives me advice in a different way. He jokes around but he always tells me I can do more. He also gives me the confidence to express myself.
Jokes for jokes' sake are kind of meaningless to me. I understand the value of them, but it doesn't speak to me as much. You can lace your argument with jokes, but tell me why you're presenting this argument. What does it mean?
I am absolutely okay with jokes on me now, but initially, yes, I was perturbed ki why me? I am not a personality on whom jokes are made randomly. Later, I was like, if everyone is enjoying jokes on me, even I should laugh it off instead of opposing them.
Once, after a long week, I felt so insecure that I decided to make a list of people who thought I was funny even if I didn't think I was. At the top of the list, I wrote, 'Garry Shandling.' His early praise protected me like a comedy-writer version of Harry Potter's scar.
My father wasn't around when I was a kid, and I used to always say, 'Why me? Why don't I have a father? Why isn't he around? Why did he leave my mother?' But as I got older I looked deeper and thought, 'I don't know what my father was going through, but if he was around all the time, would I be who I am today?'
The first time I met Garry Shandling was my audition for 'The Larry Sanders Show,' with Garry and his casting director Francine Maisler. I can recall every minute of it. He was gracious and kind, and he read with me. He was terrific.
I wasn't really that good at being a musician. And then I tried being a standup. I was an actor. I was a photographer. I tried everything. Nothing was particularly working for me, but then, as a musician, I wrote jokes for comics. And they started to buy my jokes, and that's where I thought maybe that might work.
I got a pit bull from a shelter, so my whole life is centered on this dog, and I've been writing a lot of dog jokes. I should probably give up now, because I'm writing jokes about my dog.
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