A Quote by Judd Apatow
You should look up some of the reviews. The New York Times review is so over-the-top funny. It's hysterical. You should dig it out.
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Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
Some Sundays, I read it quickly - other Sundays, I savor it. I generally spend most of my time in 'The New York Times Book Review,' 'Sunday Business,' 'Sunday Review,' and 'The New York Times Magazine.' I turn all the other pages, only stopping when I find a headline that interests me.
Since I got a really bad review when I was, like, 28 in 'The New York Times,' I don't read reviews anymore.
When Paul Beatty's 'The Sellout' was first published in America in 2015, it was a small release. It got a rave review in the daily 'New York Times' and one in the weekly 'New York Times Book Review,' too, for good measure. But by and large, it was not a conversation-generating book.
When you look at the New York Times and you pick it up in the morning, at the top of the paper there's three stories that are anti-Trump. Some of them baseless, some of them silly. And at the bottom you get something about WikiLeaks. Same thing with The Washington Post. Way out of control.
I'm always amused when the 'New York Times' writes editorials trying to be helpful to Republicans and say, 'This is the way Republicans can save themselves.' Look, the 'New York Times' disagrees with us. They're entitled to disagree with us, but it's not like we should take their advice.
The world is telling you through The New York Times and The New York Review of Books "You must shut up. You must never appear again. Because you are not relevant to us." So you have to fight their attempt to destroy you, fight to continue feeling.
I have one rave New York Times review framed next to a flop Los Angeles Times review. And it's for the same show. These people watched the same show. That's what happens. They love it, they hate it.
I have one rave 'New York Times' review framed next to a flop 'Los Angeles Times' review. And it's for the same show. These people watched the same show. That's what happens. They love it, they hate it.
Any society that could come here could pick up the lights from New York. What should we do about that? Should we darken New York from now until the last human expires? Would we want to turn off all the radars at JFK airport?
Reviews are all bullshit, because they always change. When House of 1000 Corpses came out, all the reviews were awful. It was impossible to find a review better than "The worst movie ever made." And now I'll see more-modern magazines, and sometimes they'll re-review things, and I'll read this great review for it. It's the same thing with White Zombie! People talk about "Oh, White Zombie, these classic records. Why don't you do them now?" Everyone hated those records when they came out! The reviews were terrible.
I love New York. But how much should it cost to call New York home? Decades of out-of-control budgets, spending hikes, and relentless borrowing have made New York simply too expensive.
In America, Miramax are using a 'New York Times' review that said 'Trainspotting' makes 'Kids' look like a 1960s episode of 'Sesame Street.'
As I was coming up on the stage, there was one source that could make or break you, the New York Times. Inevitably there would be one actor singled out for a better review, or worse, than somebody else. The effect of that was cancerous, divisive.
The hateful reviews are very funny. And sometimes you can enjoy a hateful review much more than a good review.
I definitely had to do some soul searching, and there would be a lot of times where I would sit back and look at the Internet and say to myself, 'This is a way of being able to communicate with all my fans all over the world, other than just being in New York and only hearing the New York side of things.'
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