A Quote by Judd Apatow

My first writing jobs were writing Tom Arnold specials for HBO, so I love working there. — © Judd Apatow
My first writing jobs were writing Tom Arnold specials for HBO, so I love working there.
HBO was a big thing for stand-up, and when you're a broke kid with absolutely nothing to do on the weekend, there was always video recording your HBO specials. I would just rewind those specials and watch them like they were new again.
Writing books isn't a drastic departure from writing for the stage. I've always written in the long format, five, eight, 10-minute pieces rather than one-liners, so since writing books, the process hasn't changed much. A piece in my live routine can end up as part of one of my HBO specials, and it can also end up in one of the books.
I'm trying my hand at writing. I'm writing a couple of projects for HBO, a half hour comedy and a miniseries.
I approach writing a poem in a much different state than when I am writing prose. It's almost as if I were working in a different language when I'm writing poetry. The words - what they are and what they can become - the possibilities of the words are vastly expanded for me when I'm writing a poem.
To be honest, I would have to say that there was a certain burden in working with Arnold, a big action star. I am aware that Arnold is loved by the American audience, but rather than focusing on working with Arnold, what I focused on was expressing the character, Sheriff Owens, through Arnold the actor and knowing that Arnold and my idea about Sheriff Owens coincided and that it was about Owens protecting a certain value and justice, I focused more on that aspect that helped me to be more comfortable in working with Arnold.
When I was first writing, I was writing mostly about sporting events, which was really what my assignments were. I was working on the Tour de France bike race and the Barcelona Olympic Games, and those songs tend to be very big, very bombastic-type music, which is the type of music that I love to write.
Actually, I've taught creative writing in Turkey, at an English language university, where the students were native Turkish speakers, but they were writing their essays in English, and they were very interesting - even the sense of structure, the conventions of writing, the different styles of writing.
I started off first doing a TV series called 'Boston Common.' That was my first big job, and then I went on to do another half hour comedy show, and that was with Tom Arnold, called 'The Tom Show.'
It was not a choice of writing or not writing. It was a choice of loving my life or not loving my life. To keep writing was always a first priority.... I worked probably 25 years by myself.... Just writing and working, not trying to publish much. Not giving readings. A longer time than people really are willing to commit before they want to go public.
The Zen way of calligraphy is to write in the most straightforward, simple way as if you were a beginner, not trying to make something skillful or beautiful, but simply writing with full attention as if you were discovering what you were writing for the first time; then your full nature will be in your writing.
I actually was doing ghostwriting jobs since I was 17 years old, so I've been supporting myself off and on with writing jobs for almost 10 years. But those were all things that I did off the books. And now I do a lot more writing on the books.
I loved George Carlin... I used to sit in front of the TV and watch the HBO comedy specials. I loved those comedy specials.
Outlining is not writing. Coming up with ideas is not writing. Researching is not writing. Creating characters is not writing. Only writing is writing.
I had some bad jobs when I was young. Writing is not one of them. If you're fortunate enough to reach my age, to still be writing, you have to be grateful, and I am. I've been lucky. For many years, all I've done is writing, and it's all I've ever wanted to do.
Everybody is writing, writing, writing - worst of all, writing poetry. It'd be better if the whole tribe of the scribblers - every damned one of us - were sent off somewhere with tool chests to do some honest work.
It wasn't until after college that I started writing. I had just applied randomly for jobs in the media and got one on a magazine called 'Pensions World.' So I was writing for a living there and that's when I started my first book.
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