A Quote by Judd Apatow
A lot of times, it's easy to trim the movie 'cause you just start losing things that you thought would be there just for amusement's sake that actually are not funny. My favorite part of the process is seeing it with an audience. I do about eight previews to see how things are working.
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I just hate when things get labeled as "black movies." I don't say, "Oh, this weekend, I want to see an all-white movie," or "I want to see a black movie." I just go to a movie because I saw the previews and I relate to it. I want to see it because the previews look interesting.
If I have ideas, I want to put them in the movie. It's not a minimalist approach at all but I feel like it's for the audience. It's about seeing how much texture we can give it and seeing how many things are there for people to latch on to... I just want to do it the way I want and I feel like it won't be helpful for me if I start worrying about that. I just have to follow my instincts. Everyone is going to respond differently to it and everybody's right - that's their point of view. That's how the story intersects with their lives.
A lot of the things that other people from outside the business would see as crazy or strange are just a natural part of the working process. Preparation is key, and detail and collaboration are the rule, but no matter how many hours you spend preparing, there's always something.
It's very easy I think when you're a creative person to wait for the right thing and to start getting self-conscious about how you are going to express what you do and what's special about you. I would say in general, a lot of times the answer is that you just dive into something and you find your own voice through that process.
I don't really find things funny unless they're deeply tragic at the same time. I think if you're funny just for the sake of being funny, it's just frivolous nonsense. To me, all the best comic plays have been written about really serious and rather bleak things.
So it's an interesting process just going through and seeing what works and what doesn't work, and what's the best version of it. It was a good process because I think we all collectively, when everyone would run into issues in the cut or know that things weren't working, they kind of glaringly stuck out so we could focus on fixing those things and it wasn't a situation where you would show it to ten people and you would have ten problems.
The scariest thing about receiving praise at a young age is the fear of burning out or losing it, or proving people right that you were just a novelty. Obviously, I can see mistakes in things that I've done or said and can see flaws in things I've made, but that's just part of growing.
I spent a lot of time looking at that picture. Wondering what I’d think of that girl, if I was someone else, seeing how easily she sits in her boyfriend’s lap, laughing, with his arms around her. I would have thought her life was perfect, the way I once thought Cass’s was. It was too easy, I was learning, to just assume things.
You can learn a lot from children because they see things new every day. That's the beauty of what you want to achieve as an artist - seeing things in a different way. Kids are constantly saying things that are funny and surprising and their observations are just... you know, they're like little artists themselves.
I like working solo and it was a lot of fun joking around with the audience, saying things. I'm only just learning how to do certain things.
I get the headlines for being slick and different things like that - which is part of my game - but it's just amazing to me that a lot of times, the people don't see the other things that go on in that ring. But a lot of times, when my opponents figure it out, the fight is over. It's too late.
That is the biggest part I like about the game, the camaraderie. Just seeing how it translates on the field, a lot of those guys helped me out throughout my process and just seeing them and being out there with them is definitely a blessing.
One of the things that I loved about working on that first album was working with Billy Mann, who produced the album, and all the people who worked to finish it. Just seeing how they did things and learning.
When I did Google Wave, everyone had to be in Sydney, and a lot people actually traveled there to be part of it. There was a lot of isolation. There were a lot of things we kept secret from the company while working on Wave - just like you would at a startup.
There's something about seeing a movie that you like, and being able to see the scenes that didn't make it, just as a window into the process of how choices are made and how a movie is made. To me, the idea of getting to have the scenes on the DVD is very exciting.
I always wish I could just see the 'Stranger Things' from an audience standpoint and not from mine. 'Cause when I watch it, I remember someone was behind there and behind there. I just can't watch it like a viewer. But I love seeing something on paper come to TV.
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