A Quote by Judd Apatow
Right when I started getting solid was when I was offered a lot of writing work. And when The Ben Stiller Show was picked up, I realized there was no way for me to do stand-up three or four nights a week and run this television show with Ben. So that was the moment when I had to make a choice.
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There are a lot of good shows that don't get picked up. Like that Ben Stiller pilot, Heat Vision And Jack? That would have been a great show, but somehow it slipped by.
Ben Stiller isn't funny - honest. Ben Stiller is very funny, and smart, and cute, too, in a neurotic, New York kind of way.
I didn't start acting until I was 27, and that was just through Gary Shandling and Ben Stiller who I knew through stand-up. And they both in the same year offered me parts on their programs which was unbelievably lucky and fortuitous.
The way that 'Vampire' was born was over a lunch. We got asked to do the show. A week later, we were hired. A week later, we were writing it. The minute we handed it in, it was ordered. The minute we shot it, it was picked up. Then we started working. There was never any, like, 'OK, here's what this show is...' We had to figure it out as we went.
When Ben Stiller and I first got married and we first had kids, I felt I needed to prove we could still do it and I could still work separately from Ben and I could still work with him. I just let go of all of that now. I said to him, 'For me, a little bit goes a long way.'
When I did Ben 10, I really didn't know anything about Ben 10. But when I went back to visit my son Pierre and told him what I'd just done, he said "You did a Ben 10?!?" and then he started yelling out to my grandson, "Luca, Luca, come here, Granddaddy did a Ben 10 show." You suddenly discover you're gratte-cul with a five-year-old, and that's pretty cool."
Cept for Ben, who I can’t describe much further without seeming soft and stupid and like a boy, so I won’t, just to say that I never knew my pa, but if you woke up one day and had a choice of picking one from a selecshun, if someone said, here, then, boy, pick who you want, then Ben wouldn’t be the worst choice you could make that morning.
In February 2003, I signed a three-year contract with MSNBC to host a talk show. Having recently decided not to run again for governor of Minnesota, I was still a pretty hot commodity. The show was originally scheduled for an hour, four nights a week.
I guess I was a little bit nervous, because there seemed to be so much secrecy with Ben [Stiller] wanting to make sure that it was a surprise when we walked out on the [Valentino] runway. I remember showing up at Place Vendôme and doing the fitting and seeing the pajamas that I was going to wear - which I like very much - and seeing Ben arrive kind of in disguise.
We tried to do a show once every three weeks to a month. We'd always do a new show. It was not successful. It did not become the Matt & Ben show, but it taught me what I like to do as an actor and what I like to do comedically.
The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.
I was very combative as a creative person at that time [while The Ben Stiller Show]. I didn't understand how to play politics with the studios. I didn't know how to creatively collaborate with the people who were paying the bills, and that came up all the time on every project I was doing, and it took me a really long time to figure out how to collaborate in a healthy way.
Created for MTV in 1990, the sharply observed, pop-conscious Ben Stiller Show - featuring its star's lacerating impersonations of Bono, Tom Cruise, and Eddie Munster, among others - subsequently moved to Fox TV and copped an Emmy for writing.
The short version is that I started an internet diary a long, long time ago (six years!) because I was bored with my job. I figured I would write a few funny things a few times a week until I had enough material to do stand-up. After two or three weeks, I emailed it to some friends. They emailed it to other friends, and more people started reading. Eventually, I realized that stand-up was scary and it would be much easier to just keep writing this stuff at work.
Producer Michael Davies - who did 'Who Wants to Be a Millionaire' - offered me a TV show, but I turned it down. I wasn't negotiating: It just didn't sound like a good idea. Then he offered me another show, and I said, 'No thanks' again. When I heard about 'Win Ben Stein's Money,' I thought, 'OK, that sounds like a good idea.'
When Star Wars became a hit and I had a chance to make the other movies, I had to figure out a way to bring Ben back, but a lot of the issues he had to deal with were carried by Yoda. In a sense, I combined Yoda with the spirit of Ben. I wanted Ben to have some kind of influence, but I didn't want it to be a direct influence where he could help Luke. So Ben has managed to keep his identity after he became one with the Force. One of the things he was doing on Tatooine besides watching over Luke was learning how to keep his identity after he became part of the Force.
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