A Quote by Judd Apatow
I don't really get attached to anything. I'm pretty brutal about cutting stuff. With each successful movie, I've discovered anything that's not connected to the immediate story is going to be cut out of it.
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I think it's really tragic when people get serious about stuff. It's such an absurdity to take anything really seriously ... I make an honest attempt not to take anything seriously: I worked that attitude out about the time I was eighteen, I mean, what does it all mean when you get right down to it, what's the story here? Being alive is so weird.
I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph?each sentence, even?as I go along.
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
I'm pretty brutal about getting rid of stuff. There wasn't anything where I was like, "Oh, I miss that," because usually it's for a good reason.
I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
When you're not attached to anything, nothing can harm you. When people become attached, they can be harmed. I know this, so I don't attach myself to anything, really.
Lester del Rey told me repeatedly that the first and most important part of writing fiction is just to think about the story. Don't write anything down. Don't try to pull anything together right away. Just dream for a while and see what happens. There isn't any timetable involved, no measuring stick for how long it ought to take. For each book, it is different. But that period of thinking, of reflection, is crucial to how successful your story will turn out to be.
I never get discouraged about anything. If I got discouraged I wouldn't keep giving out the script then the movie wouldn't be made. The biggest thing about movie industry is to never get discouraged because once you get discouraged you lose interest. You'll stop being successful in something you love doing. If you get discouraged in things and not even want to finish or do them, then why even bother starting?
Not Going Out' is a pretty neutral sitcom - to quote the 'Seinfeld' thing, it's not really about anything.
When I read the script of 'Karu,' there was a spark within, and I instantly connected with the story. I was emotionally attached to the story. After we finished shooting, I was so attached to the kid who played my daughter, I wanted to adopt her. That's how strong my emotional attachment was with the role and the story.
Part of why I think I have so much fun working in the mockumentary genre is that you can cut to pretty much anything at any time. People are now so conditioned to watch documentaries - they know how they operate, and that you can introduce a new character by cutting to them, and now they're in it. Similarly, being able to treat a sidebar idea that has nothing to do with your main story really seriously, the way the rest of it is being treated - all the pomp and circumstances lend themselves, I feel, to making comedy feel really earned and funnier and weirder.
I didn't know anything about movies or movie stars or the Academy or anything. I was just a blank sheet of paper. I was totally ignorant of all that stuff. I never went to the movies, didn't know anything about the movies.
You talk all the time about being connected, being a unit, believing in each other. But if you have unnamed sources, people out there cutting you down, and then you find out it's the person calling the plays - that would be really hard to deal with, to look at him the same way.
Jeremy can't do anything. I've never discovered anything he can do. I mean, he can drive a car round a track pretty well, but he wouldn't be able to light a fire.
It's a bit difficult to get hippies organized into anything, but I think if they get annoyed enough with the stuff that's going down, they're capable of showing up. So anything they consider important, they'll be there.
When one tugs at a single thing in nature; he finds it attached to the rest of the world.
Variant - When we try to pick out anything by itself, we find it hitched to everything else in the Universe.
Variant - Tug on anything at all and you'll find it connected to everything else in the universe.
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