A Quote by Judd Apatow

When you make a movie, you just send it off into the world. You never actually live it with the crowd. — © Judd Apatow
When you make a movie, you just send it off into the world. You never actually live it with the crowd.
I had read the scripts that Nora Ephron had written as a movie about Mike McAlary. We were never able to make it at HBO because we couldn't cast it properly and when I left I called Nora and said, "Look, I actually think that the movie luckyguyindustry has changed. It's very unlikely that you'd be able to make this as a movie. I actually think it's a play."
I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.
It's so hard to actually get the money to make your movie. When you actually have the chance to do it, you have to be absolutely ruthless in order to make the best movie you can make.
A lot of people are not comfortable being apart from the group, from the whole herd, and listening to the inner voice. They just follow what the crowd does and wear what the crowd wears and think what the crowd thinks. They get very caught up in doing what the world says is the cool thing to do and living the way the rest of the world lives. Once we make a decision to break away from that and not be part of the herd anymore - by going inside and finding our own voice - then life just becomes magical.
It is not enough to want to make the effort and to say we'll make the effort. We must actually make the effort. It's in the doing, not just the thinking, that we accomplish our goals. If we constantly put our goals off, we will never see them fulfilled. Someone put it this way: Live only for tomorrow, and you will have a lot of empty yesterdays today.
I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.
I’m an author. We don’t want to lead. We don’t need to follow. We stay home and make stuff up and write it down and send it out into the world, and get inside people’s heads. Perhaps we change the world and perhaps we don’t. We never know. We just make stuff up.
We want a crowd to make us feel important and liked. But why is getting a crowd our focus? Jesus never suggested that crowds were the goal. He never addresses getting your church to grow. Never.
If you made a movie that no man in the world went near, but every woman in the world went to, you'd have the highest grossing movie of all time. You'd make trillions of dollars. But I don't want to make movies that are just for the ladies. I don't want to ghettoize any audience that way.
I go through my comments sometimes, and I'll just take snapshots of the terrible ones and send them to my friends. I know it's horrible, but they actually make me laugh. They make my day.
Because you know, we live in an era now where everything is pushed. We live in a push world where everything gets pushed to you. It's like, I don't have to wait for you to send it to me, I'll go get it off the Internet. So it was difficult to be back in that sort of situation. But it was cool.
I have a sixth sense for casting. I just have to see and talk to the actors. I never make tests. I like to work with crowds. I like to get the principals in a crowd. When they do, something else comes off, something special.
Full live performances are always my favorites, and I think a lot of people's favorites too, just because you can feel the energy off the crowd and there's so much more interaction, and just everything overall is just like very hype.
I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.
Cinema halls aren't just about movie watching. It's like watching a live match in a stadium with the crowd where you collectively share moments of joy and sorrow.
I think the danger in trying to set too many things up or do too much world-building in a movie so soon is you forget to actually make a movie.
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