A Quote by Judd Apatow
Most people in the world of comedy at least are multi-hyphenates, so people who direct are also writers.
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Early on, I joined that large group of show business cadets who were 'multi-hyphenates,' 'independents,' 'self produced' or 'alternately financed.' Sometimes, most times, I've had to do it all: raise the money, write the script, produce, direct and act in the film.
You create your own material to try to get it out there because a lot of people are multi-hyphenates, to use the corporate term. You're creating stuff to be in in order to showcase all your talents. I think the idea of using YouTube and the Internet, you don't have to wait around for a network to buy your show.
Pardon the plug, but what I like most about Toronto is Metro Morning's audience. I think it's got to be the most multi-faceted, multi-lingual, omni-curious collection of plugged-in people I've ever encountered.
Africa and its people are the most written about and the least understood of all of the world's people. This condition started in the 15th and the 16th centuries with the beginning of the slave trade system. The Europeans not only colonialized most of the world, they began to colonialize information about the world and its people.
I'm a big believer in comedy writers. I've always defended the honor of all comedy writers. It's extremely difficult, but I've always felt that comedy writers far more easily can move toward drama than vice versa.
Dialogue is the place that books are most alive and forge the most direct connection with readers. It is also where we as writers discover our characters and allow them to become real.
In America, they like to think, 'Do as many things as you can.' That's what I like about being here. 'You're a polymath! We call you multi-hyphenates!' I like the idea you're allowed work as much as you can.
People have a comic bent or an angularity to their thinking, and those are the people who make jokes. And it's usually people who were in an environment, when they were young, where jokes were at a premium, or at least considered important to a life. My parents always listened to the comedy radio shows, we went to the comedy movies, and my parents appreciated comedy. So kids listen and follow what their parents like.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
You were born with the seeds of your talent, the ability to observe the world around you and weave piece of it into a story. I believe that most -- if not all -- people are born with these seeds. What separates the writers from the non-writers is that the writers actually sit down and, you know... write.
What I think it's important to recognize in today's world is that all of our societies are multiethnic, multi-religious and multicultural. And that is a positive thing. That's a richness, and also strength. But we also have to recognize that, for those societies to be harmonious, there is a lot of the investment that needs to be made in social cohesion and inclusivity. But the important thing to recognize, and particularly Europe, most of the terrorist attacks are not done by people that came from the outside. They are homegrown.
India is a country that lives in several centuries simultaneously, and her people at any given time and place encapsulate all the contradictions that come from being a multi-cultural, multi-religious and multi-lingual society.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
You know, it's a funny thing about writers. Most people don't stop to think of books being written by people much like themselves. They think that writers are all dead long ago--they don't expect to meet them in the street or out shopping. They know their stories but not their names, and certainly not their faces. And most writers like it that way.
It is increasingly obvious that environmentally sustainable solutions to world hunger can only emerge as people eat more plant foods and fewer animal products. To me it is deeply moving that the same food choices that give us the best chance to eliminate world hunger are also those that take the least toll on the environment, contribute the most to our long-term health, are the safest, and are also, far and away, the most compassionate towards our fellow creatures.
What most of us must be involved in--whether we teach or write, make films, write films, direct films, play music, act, whatever we do--has to not only make people feel good and inspired and at one with other people around them, but also has to educate a new generation to do this very modest thing: change the world.
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