A Quote by Judd Apatow

I have to go back to vinyl every once in awhile, even if my kids don't want to hear it. I'm much more likely to be listening to Wilco or the Avett Brothers. — © Judd Apatow
I have to go back to vinyl every once in awhile, even if my kids don't want to hear it. I'm much more likely to be listening to Wilco or the Avett Brothers.
I hate the technological rip-offs that pass for music formats these days, and go back to vinyl to hear a good record because the sound is always so much fuller. I don't even like listening to music in the car.
I love every type of listening format, from MP3s to CDs to vinyl. There's something special about each one. It's a sign of the times. I love looking back, and even putting new music on vinyl - if it's right!
A lot of people that buy vinyl today don’t realise that they’re listening to CD masters on vinyl and that’s because the record companies have figured out that people want vinyl, And they're only making CD masters in digital, so all the new products that come out on vinyl are actually CDs on vinyl, which is really nothing but a fashion statement.
The more kids are involved, the more likely they are to eat the food. Getting them involved gets them excited, and kids are much more likely to try something that they were involved in the process of creating because it gives them a sense of accomplishment - kids always love approval.
Vinyl's like a really juicy steak compared to like a kind of tough steak or something. It's really good. And once you listen to vinyl and get a chance to hear it, I think anyone will enjoy it more than they will digital.
My demographic is very broad. Once they come, they had an idea about jazz, and then they hear me, and they come back with sisters, brothers, and kids. My audience looks like America to me.
Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting.
I'd like to do something with the Avett Brothers.
Poor kids are much more likely to become sick than their richer counterparts, but much less likely to have health insurance. Talk about a double whammy.
To play vinyl onstage is not my thing. For me, vinyl is for home listening.
I love Rebel Rebel in Manhattan's West Village for vinyl, but record stores are hard to come by these days. I almost don't even use iTunes. I mostly use music subscription services. But I'll go into Rebel Rebel once a month or so and buy everything I love on vinyl.
It was so exciting to go to the record shop and buy a piece of vinyl and hold it, read the liner notes, look at the pictures. Even the smell of the vinyl.
I listen to everything: The Pixies, The Beatles, The Avett Brothers.
There's a different physiology happening between the sound waves and the body that doesn't happen with music playing off the computer. About five years ago, I got a turntable that hooks up to your computer, and I put the vinyl in there and I listened to it back-to-back with a CD, and it didn't even compare. But people don't have time to go track down vinyl, lower it in, all that. And they probably don't care. It's hard to make music knowing that it's not going to be received by the listener in the way that it should be.
I knew it straight away when Twitter first came around, and also Facebook, where it was so easy to post, that this was another way to speak directly with people listening to my music. If they found my music and they like it, most likely they want to hear more from me and hear what I'm about. I've put an enormous amount of time into that and it's played out well for me.
Vinyl is great, I made a lot of vinyl, but I don't want new vinyl that's from digital sources, because that's a rip off.
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