A Quote by Judd Apatow
I used to scream at everybody at the beginning of my career. I'd get really emotional. I'd project all my issues about my parents and safety onto the executives, so every conversation where they gave a note was life or death and you don't love me.
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I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
Medicine really matured me as a person because, as a physician, you're obviously dealing with life and death issues, issues much more serious than what we're talking about in entertainment. You can't get more serious than life and death. And if you can handle that, you can handle anything.
But 'Cuban Linx' was a project that really needed to come, and I really wanted to get it off my chest because I know that the fans were really skeptical about it, like 'is this really gonna be what it's supposed to be?' So once everybody caught it for what it was and everybody was happy, that's mission accomplished for me.
Don't hate life and death or love life and death. Keep your every thought free of delusion, and in life you'll witness the beginning of nirvana, and in death you'll experience the assurance of no rebirth.
I think it go serious in college when I found out I really enjoyed making people laugh. It makes me happy. I said, I wanna be a comedian, I wanna get good.' You're not good in the beginning. You're still trying to figure out what the things are that you are going to talk about, what your angle is going to be and there's a lot of trial and error. I just never gave up and that was the beginning of my career. Just experimenting, trying it out and falling in love with it.
It would be quite unusual for me to get deep into a project and then shitcan it. One of the advantages of having done this for a while is that I have a better sense than I used to of when something is or isn't working. Until I developed that sense, this was a pretty dicey career for me, both in terms of paying the rent, and emotional wear and tear.
I think everybody has tragedy in their life. Everybody has hurdles in their life. Everybody has tough things to overcome. My kids say to me, 'This isn't fair.' I said, 'Life isn't fair.' Everybody has their issues. It's how you handle your issues that distinguishes you.
SAFETY NET-ISM: The belief that there will always be a financial and emotional safety net to buffer life's hurts. Usually parents.
I used to really love Fiend, but he stopped. He just stopped. Every time he had a project, every project - 'There's One In Every Family,' 'Street Life' - I had to have them. And he just stopped. And that was disappointing, 'cause that was my favorite rapper at one time.
Hopefully, by the time I do a project, I already have a true understanding and love of what I'm about to do because if I don't, I'm not going to work on that project. I really want to have those connections so I can be truthful to the emotional aspect of what I have to deliver for the story.
Everything about the movie 'Dope' is real artistry, and everybody put their full hearts and souls into it. It's a passion project; it's not one of those things everybody got paid a million dollars to do. Everybody on there wanted to do it. Everybody there believed in the project, and we just went for it. We all love each other.
Throughout my career, if I have done anything, I have paid attention to every note and every word I sing - if I respect the song. If I cannot project this to a listener, I fail.
Birth leads to death, death precedes birth. So if you want to see life as it really is, it is rounded on both the sides by death. Death is the beginning and death is again the end, and life is just the illusion in between. You feel alive between two deaths; the passage joining one death to another you call life. Buddha says this is not life. This life is dukkha - misery. This life is death.
Playing live is about going for it .. it's about bringing it ... you should see a bunch of people trying out stuff, actually performing, instead of learning the record and recreating it note for note. I can't play the show the same way every night .. I really need to be in a creative environment, every night or I'll go nuts ... my manager accuses me of singing just long enough to get me to my next guitar solo - which is true.
My parents are aging and there are difficult issues. It's strange to have children at the beginning of life and parents nearing the end.
I love people. Everybody. I love them, I think, as a stamp collector loves his collection. Every story, every incident, every bit of conversation is raw material for me.
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