A Quote by Judd Apatow
Up until 'Bridesmaids', the general consensus was that women preferred comedy a bit softer.
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I think 'Mean Girls' was a kind of significant movie. It was a very successful comedy, and it was also before 'Bridesmaids,' and it really launched some of today's biggest women in comedy.
I don't want comedy to be Bridesmaids 2. I'm not denigrating Bridesmaids but, enough already, let's stop pretending women are incalculably different to us. Seeking out podcasts, listening on headphones, it's like an intimate, specific conversation. People respond if it feels from the heart. I'm as neurotic a human being as lives, and I have my faults. I'm a drunk. But people really like that.
The American audience has really opened up to women being A.) funny and B.) kinda crude. 'Bridesmaids' is R-rated, and I think it was a major coup for women to have an R-rated comedy that did really well. Same as 'Bad Teacher.'
I was a bad dater, and up until 8th grade I went to an all boy's school. So, by the time I hit high school I was a bit freaked out by women in general.
I think women have always been funny. But when Tina Fey became head writer at 'Saturday Night Live,' the culture shifted, and women gained a bigger voice in comedy. It's not as if Hollywood producers are feminists. It's more that Hollywood said, ''Bridesmaids' made us so much money, all we want now is funny women.'
With female-oriented movies, unless it's something like 'Bridesmaids' or a romantic comedy, you've got to really worry about your opening weekend. And I'm always telling stories about women, not younger women, and it's just a much tougher audience to get to the movie theater.
Had 'Bridesmaids' not ended up being so amazing and successful, we would never have been able to make 'Bachelorette.' So we are in awe of 'Bridesmaids' and totally owe them so much.
I don't think my comedy is that political. It's more social. But whatever. When you make comedy and you do stand-up, you work alone. Movies have to go under so much scrutiny. A stand-up special is a vision, and a movie is a consensus in a lot of ways.
'Bridesmaids,' I think, opened up a door to allow women to show a bunch of different women in different ways of being funny. It was kind of like an arrival moment.
Up until age 40, most men are just not as mature as women. So, it makes sense that a lot of women date up in age a bit.
I believe the general consensus is the bigger it is, the more women flock to you. I guess its a good thing mine is HUGE!
An argument is made that there are just too many question marks about the near future; wouldn't it be better to wait until things clear up a bit? You know the prose: "Maintain buying reserves until current uncertainties are resolved," etc. Before reaching for that crutch, face up to two unpleasant facts: The future is never clear and you pay a very high price for a cheery consensus. Uncertainty actually is the friend of the buyer of long-term values.
When you do a song new live on stage, it's kind of a bit weird until it gets worn in, you know, like oiled up a bit. It's still a little bit stiff until you really thrashed at it for a few weeks.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
Once you strike a note on the organ, it's going to stay with you until you either make it louder or softer or let it go. So it's a little bit like the human voice, so you can put a human characteristic in it.
Comedy in the past hasn't spoken to women because it wasn't written by women, and male writers don't make women three-dimensional characters. Too often, women just facilitate the man's comedy: they're not crazy; they're not funny. But women are as vulgar as they are elegant, as stinky as they are smelling of eau de parfum.
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