A Quote by Judy Tenuta
I think it might be harder for a young comic because there's so much more competition. There's more people trying to do it and there are less rooms. Seriously. The way people do anything now is by getting press - some scandal. It's awful. Somebody has to go on a rooftop with a rifle and they get their own sitcom. It's disgusting.
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Because of social media being such a marketable format, things are constantly being released, so people don't pay as much attention because they have a million things being thrown at them. You reach more people, but now there's more content. Before, it was harder to get the people but there was less content.
The kind of society which we still have is maybe, in some cases, getting worse. Competition is becoming a virtue. Intense competition drives people to go more and more into self-interest. Even to see other folks as competition.
I am way less attached to the number the more I weigh. You always think that if you weigh less and get to that magical number, you'll think less about your weight. But I in fact thought about that lower number more... wanting to stay close to it, fearing it getting higher. I would fret each week seeing it go up. The mission to stay lean was always harder than getting there.
But I work harder now because I have so much more exposure. And actually the harder you work as a writer, the better you get at it. It's like anything else. It's a muscle you have to exercise. I write more now than ever.
I think TV companies don't take as many risks any more, it's a bit more prescriptive. There are more channels but there seems to be actually less main network channel comedy. You can't offend people as easily, people take things very seriously now. I think that's down to social media though because people can have little tribes of offence.
For some people, it's very easy to be spontaneous and they can pour out the most wonderful stuff. But it's really hard to exert control over it, to think, 'Well, this could be different. This could go in the opposite order, there could be more here and less there.' For other people, it's much easier to have rules and a methodology, but much harder to let loose and allow their feelings to come pouring out on the page. They're more shy or they're just more distant from their emotions. I think everybody starts with one or the other.
Have you come over time to think that you know more now than you did when you were young, know less now than when young, know now there is so much more to know than you knew there was to know when young that it is moot whether you think you knew more then than now or less, or do you now know that you never knew anything at all and never will and only the bluster of youth persuaded you that you did or would?
I think part of the bad thing is that skill is emphasized so much that a lot of people, by the time they get to Juilliard, well I think they kind of forget why they got into music in the first place and if they're performers - this is a simplification, but a lot of them are trying to win a competition and play more accurately, or better, or more beautifully, whatever can be measured, than somebody else.
I don't have too much time to shop. I have such a back log of stuff at home. I tend to get temperative once in awhile. I don't need anything, so if I see something that knocks me out, then I'm buying it. It's getting harder and harder because things are getting more homogenized.
It's tough to make music and make it your own, and not have somebody call it something you don't agree with but can't control. Sometimes the press doesn't realize how much power they have and how they can shape somebody's life. I think there's a lot of people just trying to make music and get their art out there, and their heads get f**ked by the press calling them this or calling them that.
I feel like a lot has changed - ebooks are a much more valid format and bigger presses are taking less chances. As a bookseller, there are less real bookstores and more people buying on-line. As a writer, I think there are fewer paths to break through on a big press, but on the other hand there are more small presses doing awesome work now. Overall, artistically, I think it's a pretty exciting time in the literary world.
I think what draws me to young people is there is always this kind of openness that reacts very strongly to things. Sometimes when you get older, you react much less. That's also a reason why a lot of young people get hurt because if you're open, you're more subject to being hurt by things.
I drink much less than most people think, and I think much more than most people would believe. I am quite sincere about some of the things which people take very lightly, and almost insultingly unconcerned about some of the things which people take most seriously. In short, I am basically antisocial: certainly not to an alarming degree , but just more so than I appear to be.
When you're growing up in Jamaica and you don't have much, and then you gain more and more... you can now share the more that you have with the people that have less because you know what less is like.
Comic books themselves are getting more literate. And there are people who are screenwriters and television writers and novelists who are writing for the comics, for some reason, they love doing it and some of the art work in the comics, I mean it rivals anything you'll see hanging on the walls of museums, they're illustrations more than drawings and all the people are discovering this and they're turning on to it.
I do talk and think a lot about the legacy before me. I feel like if I didn't know that people had been in Montgomery sixty years ago trying to do similar things that I'm trying to do, with a lot less, with fewer resources, with less security, with less encouragement, with less opportunity - if I didn't know that, then I think doing what I do would be much, much harder.
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