A Quote by Jules Michelet

What manly eloquence could produce such an effect as woman's silence? — © Jules Michelet
What manly eloquence could produce such an effect as woman's silence?
The pause - that impressive silence, that eloquent silence, that geometrically progressive silence which often achieves a desired effect where no combination of words, howsoever felicitous, could accomplish it.
Eloquence, to produce her full effect, should start from the head of the orator, as Pallas from the brain of Jove, completely armed and equipped. Diffidence, therefore, which is so able a mentor to the writer, would prove a dangerous counsellor for the orator.
In the performance of an illocutionary act in the literal utterance of a sentence, the speaker intends to produce a certain effect by means of getting the hearer to recognize his intention to produce that effect; and furthermore, if he is using the words literally, he intends this recognition to be achieved in virtue of the fact that the rules for using the expressions he utters associate the expression with the production of that effect.
There is an old proverb to the effect that 'all those who open their mouths, close their eyes!' The purpose of silence and solitude is to be able to see and hear. Control rather than no noise is the key to silence. James saw clearly that the person who could control his tounge is perfect (James 3:1-12). Under the Discipline of silence and solitude we learn when to speak and when to refrain from speaking.
My rookie is manly, so manly, oh so manly his name is Derrick Bateman.
The printing press had a very liberatory effect that meant individuals - small groups could produce radical pamphlets - could use it for organizing.
In Silence there is eloquence.
There are different qualities of silence. There's the silence that sustains us, as women, that nourishes us, the silence where I believe our true voice, our authentic voice, dwells. But there's also the silence that censors us, that tells us what we have to say does not want to be heard, should not be heard, has no value. And that if we speak, it will be at our own peril. This kind of silence is deadly. This kind of silence is deadening to who we are as women. And when a woman is silenced, the world is silenced. When a woman speaks, there is an opening.
There is an art in silence, and there is an eloquence in it too.
Sartre said that wars were acts and that, with literature, you could produce changes in history. Now, I don't think literature doesn't produce changes, but I think the social and political effect of literature is much less controllable than I thought.
A woman's manly side is what's sexy--a woman standing strongly, fighting to be desired.
Silence, when nothing need be said, is the eloquence of discretion.
Well-timed silence hath more eloquence than speech.
In Silence there is eloquence. Stop weaving and see how the pattern improves.
It is always understood as an expression of condemnation when anything in Literature or Art is said to be done for effect; and yet to produce an effect is the aim and end of both.
What I am seeking... is a motionless movement, something equivalent to what is called the eloquence of silence.
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