A Quote by Jules Renard
How describe the delicate thing that happens when a brilliant insect alights on a flower? Words, with their weight, fall upon the picture like birds of prey.
Related Quotes
There is nothing very odd about lambs disliking birds of prey, but this is no reason for holding it against large birds of prey that they carry off lambs. And when the lambs whisper among themselves, "These birds of prey are evil, and does this not give us a right to say that whatever is the opposite of a bird of prey must be good," there is nothing intrinsically wrong with such an argument-though the birds of prey will look somewhat quizzically and say, We have nothing against these good lambs; in fact, we love them; nothing tastes better than a tender lamb.
So when you're talking about lyrics in the context of music, it's not just about what the words mean, and what you were thinking about when you wrote it. It's not cognitive in that same way. It's almost like music turns words into touch, which is hard to describe, like the feeling of your shirt on your back. It's a pretty delicate thing to try to put into words. You just feel it.
As I hold the flower in my hand and think of trying to describe it, I realize how poor a creature I am, how impotent are words in the presence of such perfection.
It is one thing to fall victim to the flood or to fall prey to cancer; it is another thing to fall into the hands of the living God.
A picture is worth 10K words - but only those to describe the picture. Hardly any sets of 10K words can be adequately described with pictures.
If you ask me to describe my relationship, I mean - words are too clumsy to accurately describe how I feel in that regard, particularly in an interview. It’s a strange thing.
If you ask me to describe my relationship, I mean - words are too clumsy to accurately describe how I feel in that regard, particularly in an interview. It's a strange thing.
If you have words and want to write music for them, the words hit you with a feeling which you can't really describe in words, and so what you do is to put music to them and in this way you make contact with the words, through the musical thing. It happens when two feelings come together and they do something together and they compliment each other.
Why should I disguise what you know so well, but what the crowd never dream of? We companies are all birds of prey; mere birds of prey. The only question is, whether in serving our own turn, we can serve yours too; whether in double-lining our own nest, we can put a single living into yours.
Of all types of birds, birds of prey have always fascinated people.
I don't think people realize what those weight cuts were doing to me. It took so much out of me to make 155. I wish I could put into words what it was like, to be able to paint the picture of my weight cuts, but I can't. All I can say is that every fight week was a complete misery.
For a lot of people, 'Dungeons & Dragons' has been a hard thing to describe. I can't tell you how many social environments I've been in where I say, 'I play 'D&D,'' and a bunch of normies will be like, 'How does the game even work? What's that like?' I didn't have anything to really describe it that didn't make me sound like a crazy person.
We made love. How pedestrian the words look-trite, worn, practically featureless with use-but how can one better describe that which happens when it happens? That creation? That magic blending? I might say we became figures in a mesmerized dance before the rocking talisman of the moon, starting slow, so slow... a pair of feathers drifting through clear liquid substance of sky... gradually accelerating, faster and faster and finally into photon existence of pure light... as my whole straining body burst like fluid electricity into hers.
I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
Words are delicate instruments: How to use them so that, after having read the poem, the taste remaining is not of the words themselves, but of a thought, a situation, a parallel reality? If not used appropriately, words in poetry are like the ugly remains of food after eating. What I mean is that readers will reject words if they don't serve to shift attention from themselves to somewhere else.
A flower is a miracle, but it does not have the sight or speech to describe us. And our own ability is no greater than that flower when we try to describe God. His infinity covers not only one planet, but the entire solar system and 100 billion suns. That doesn't mean he is limited in his ability to be part of you.
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