A Quote by Julia Hartz

If you can't see an example of what you could be, you really aren't going to have that extra incentive to break through any types of barriers. — © Julia Hartz
If you can't see an example of what you could be, you really aren't going to have that extra incentive to break through any types of barriers.
Secrecy sets barriers between men, but at the same time offers the seductive temptation to break through the barriers by gossip or confession.
One of the wonderful aspects of the human imagination is its power to break through the barriers of time and space. It can see things not as they are but as the can be.
Hollywood has a lot of barriers set up for everyone. If you can live with it, and you can break through, then you're going to do OK.
If you really could take the CO2, when you burn hydrocarbons - coal, for example - if you could really capture the carbon and sequester it - they call it CCS - if the extra capital cost, energy cost, and storage costs over time didn't make it super expensive, then that's another path that you could go down.
The only way to really change perceptions, to break down barriers, break down homophobia, is through representation. That's definitely not something I had as a kid. I never saw a gay athlete kissing their boyfriend at the Olympics. I think if I had, it would've made it easier for me.
Usually, I really only look at any one particular album at a time when I'm making it. I've never really sat and looked at the journey through all of my albums to see if I could find a thread through them.
Working on 'SNL,' you can have a really stressful experience or a really bad week, and I could see how much of a nightmare that could be for someone who doesn't have a network of buddies going through that with them.
South Dakota was a place where you could take risks. You could break barriers and get away with it.
I was going through some emotional turmoil. You can tell by the tunes on the album that I was going through a break-up of my marriage. It was the only way I could express myself.
We don't have any CGI with any of the car stuff. I think it's a real experience when you see this car going through really fast really wild and you see me driving a lot of the times and also a big chase in downtown Atlanta. It's just incredible.
I glance through the pages of all the top magazines every month just to see if there are any colors that are trending. I'll also go on Instagram and look at the 'popular' page to see what people are liking, what's cool. I'll check it at different times of the day; for example, if it's really late in L.A., you'll see a lot of posts in Asia.
I could see jealousy coming up, I could see anger, I could see frustration. I could see people's agendas. I could see my kids going wild - because we never had any money, and suddenly, we had money.
Clothing sizes are weird, they go: small, medium, large and then extra large, extra extra large, extra extra extra large. Something happened at large, they just gave up. They were like, 'I'm not doing any more adjectives; you just keep putting extras on there.' We could do better than that: small, medium, large, whoa, easy, slow down, stop it, interesting, American.
When I was playing, all my overseas trips were paid for by the LTA, then by my coach, and from whatever prize-money I made I would have to pay back as much as I could of the fare. Only once that was paid could I keep the extra, and that was a powerful incentive.
I don't want to push barriers myself. You go to see Joan Rivers to see barriers being pushed. You watch 'Little Britain' to see barriers being pushed.
I don't really see huge barriers between any styles of music.
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