A Quote by Julia Restoin Roitfeld
That's what I tried to create, even though they are new pieces. I wanted them to feel like very special pieces that you can hold on to for a long time. I didn't want them to be too high fashion, I wanted them to be more timeless.
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Sometimes when things break, you can hold them together for a while with string or glue or tape. Sometimes, nothing will hold what’s broken, and the pieces fly all over, and though you think you might be able to find them all again, one or two will always be missing. I flew apart. I broke. I shattered like a crystal vase dropped on a concrete floor, and pieces of me scattered all over. Some of them I was glad to see go. Some I never wanted to see again.
It doesn't matter how many televisions and computers and pieces of stereo equipment the Chinese send to us, even if they're sending them to us only in return for some funny, little, green pieces of paper. That is a balanced trade. They got what they wanted: the green pieces of paper. We got what we wanted: the plush toys, the computers, the stereo components.
For my wardrobe, I like to invest in classic pieces and pair them with more trendy new pieces and accessories each season.
The universe may be timeless, but if you imagine breaking it into pieces, some of the pieces can serve as clocks for the others. Time emerges from timelessness. We perceive time because we are, by our very nature, one of those pieces.
I don't like listening to my music, not even new pieces. Generally, they sound pretty much like I expected them to sound, so it's what I wanted, and that's it.
One of my constant reminders was, "End practice on a happy note." I wanted the boys to want to come out to practice, and I wanted them to get a certain amount of pleasure out of basketball. It's a game. It should be fun. So I always tried to counterbalance any criticism in practice with a bit of praise. I wanted my players to feel that the worst punishment I could give them was to deny them the privilege of practicing. If they did not want to practice, I did not want them there.
I am excited by this collaboration: this is the first time H&M involves a Fashion Director in a special project. This is the sign of an important evolution in fashion, and I am both thrilled and humbled to be the one chosen to lead it. I wanted to create precious accessories that are impossible to find. As a stylist I know accessorization is essential: it is the personal touch to any outfit. With these pieces everybody can have fun, turning an ordinary day into a fantastic fashion day
I tried to hold myself apart, showing only what I wanted, doling out bits and pieces of who I was. But that only works out for so long. Eventually, even the smallest fragments can't help but, make a whole.
I'm an inveterate note taker - I scribble all these things down on pieces of paper. I wanted to create some way of organizing all of them.
I imagined Kandinsky's mind, spread out all over the world, and then gathered together. Everyone having only a piece of the puzzle. Only in a show like this could you see the complete picture, stack the pieces up, hold them to the light, see how it all fit together. It made me hopeful, like someday my life would make sense too, if I could just hold all the pieces together at the same time.
Women who have understood fashion and style for so long have always known it's not about having more pieces. It's about having the right pieces and having the pieces that are of a great quality and look like you know what you're doing. You don't have to have a million things on.
I never wanted to be that fad type of artist. When I looked up to artists, watching TV, I wanted to see somebody. I wanted to touch that person. I wanted to sound like them. I wanted to move like them. That' s what I want my fans to do. So that's why, everything that I do, the music I make, how I dress, it's all based off my lifestyle.
The time I like listening to music most on headphones is, I have a game I play with my brother, he's a musician as well.And he sends me MIDI files of keyboard pieces. So, these are pieces where I just get a MIDI file; I don't know what instrument he was playing them on; I know nothing about his section of the sound of the piece, and then when I'm sitting on trains I do a lot of train travel I turn them into pieces of music. And I love to do that; it's my favorite hobby.
I wanted to give things away or sell them somewhere, but I realized that some of the pieces are so special - limited editions, designer gifts - and needed to be appreciated. When I started my own charity foundation and was looking to raise money, I was like, 'Boom. That's it!'
One of my latest sensations was going to Lady Airlie's to hear Browning read his own poems - with the comport of finding that, at least, if you don't understand them, he himself apparently understands them even less. He read them as if he hated them and would like to bite them to pieces.
I became interested in building furniture, because I couldn't find pieces I really loved for myself and my clients. I picked stuff up from the street, and tweaked those pieces to make them what I really wanted. It became a career!
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