A Quote by Julie Taymor
I've had male executives say that my lead character was unlikable because she slept with a lot of guys.
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I get a stack of scripts, like, once a month, and most of the time, you find these placeholder girls that are there to provide a bounce for the male character. So we know he's funny because she's serious and she's mad at him. We know he's strong because she needs saving. So really, her job is to validate this personality trait of our hero or male.
I loved 'Tin Cup' because even though that character had her own career and was strong, she was pretty confused. I think she was my favorite character because she was well-rounded. She didn't have it all together.
Whether you're writing television or movies, at some point you're going to encounter a male executive or investor who's going to say, 'I don't like that woman. She's unlikable.' And often, it's literally for being a regular human woman as opposed to an attracting human woman.
I'm bisexual, but it's not the sort of thing I spent a lot of time thinking about. I've slept with girls; I've slept with guys, so I guess that's what they call it! I'm not anti trying to use language to simplify our lives.
During the years I was on the board of directors of the National Organization for Women in New York City, the most resistant audiences I ever faced in the process of doing corporate workshops on equality in the workplace were not male executives - they were the wives of male executives. As long as her income came from her husband, she was not feeling generous when affirmative action let another woman have a head start vying for her husband's (her) income.
When a woman creates an unlikable character, a lot of people think it's a mistake.
She had not wanted him to but had let him have his way because ever since she was a child she had generally yielded before anyone with strong willpower, especially if it was a man, not because she was naturally submissive, but because strong male willpower gave her a feeling of safety and trust, together with acceptance and a desire to give in.
You don't get roles like leading character in 'Christine' very often because people don't really like women on film to be unlikable. I think Christine is lovable, but I don't think she's likable. I think there's a fundamental difference. For me, those are the richest ones. Men have had a career of doing those kind of things.
I did not find that writing a diary with a lead male character differed in any essential way from writing one with a female character. They all had the same challenges in terms of attempting to establish an identity, coping with loneliness, friendships, relationships.
I do feel privileged to play Elektra, because definitely she is a strong female character. She's a strong character. It would be nice if eventually we'd just say she's a strong character, not a strong female character.
It was sometime in October; she had long ago lost track of all the days and it really didn’t matter because one was like another and there were no nights to separate them because she never slept any more.
In my books, women often solve the problem. Even if the woman is not the hero, she's a strong character. She does change the plot. She'll often rescue the male character from some situation.
I'll be able to pull off playing an unlikable character because inherently, I think I'm likable.
What's amazing about this show [Westworld], and what it gives us permission to do, is to be kind of superhuman. Because at the end of the day, [Dolores] she's not a male and she's not a female. She's evolved past that. She's a very highly advanced being, and so I think it's really going to knock down a lot of stereotypes and a lot of gender roles and be a neutral party.
I did a film called 'Worlds Apart' about a Jehovah's Witness. I was the love interest - the male lead - but the story was about the female lead, a young girl who is a part of this cult, and she wants to break out. She meets a guy who has to help her. She has to find out who she is. It's more like a coming of age story.
What helped me a lot was that I chose an American lead protagonist, because that liberated a lot from my own knowledge. If I had approached it from the perspective of an Indian main character, I think I would have assumed a lot of knowledge and I would have resented the presence of the author.
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