A Quote by Julie Taymor
The idea that all violence in movies is okay simply because it happens is bull. Directors and writers have a responsibility.
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I'd like to produce. I'd like to come up with ideas and collaborate with people and directors and writers that I like, be a part of movies that have the same idea that the movies that impacted me have. I'd like to be able to do that for people.
Non-violence is a very powerful weapon. Most people don't understand the power of non-violence and tend to be amazed by the whole idea. Those who have been involved in bringing about change and see the difference between violence and non-violence are firmly committed to a lifetime of non-violence, not because it is easy or because it is cowardly, but because it is an effective and very powerful way.
My sense is, I think it's okay for directors to do movies that speak to other work in their career.
All dogs can become aggressive, but the difference between an aggressive Chihuahua and an aggressive pit bull is that the pit bull can do more damage. That's why it's important to make sure you are a hundred percent ready for the responsibility if you own a 'power' breed, like a pit bull, German shepherd, or Rottweiler.
Of course, at their best, movies are anti-literature and, as a medium, belong not to writers, not to actors, but to directors.
Most of the directors that I show my movies before the final cut, are directors that I admire, and who do movies that are very different from mine.
I'm so sick of seeing guns in movies, and all this violence; and if there was going to be violence in Pines, I wanted it to actually be narrative violence. I wasn't interested in fetishizing violence in any way of making it feel cool or slow-motion violence. I wanted it to be just violence that affected the story.
When I first started out, it was very, very difficult to even get in the room with directors or casting directors because they would see that I hadn't been to drama school and wouldn't want to see me. Now, I feel like it's changing. We have this new generation of a lot of writers, directors and actors who are just breaking through, and they're doing it for the passion.
A more appropriate expansion is the statement "it is the responsibility of intellectuals to speak the truth and expose lies" a transcript of a talk to a writers conference in Australia in 1996, where I had been asked to talk on "writers and intellectual responsibility" - a question that I said I found "puzzling," because I knew of nothing to say about it beyond truisms, though these were perhaps worth affirming because they are "so commonly denied, if not in words, then in consistent practice."
I don't know how you feel, but I feel like writing, clarity of thought, and truth have been validated because we see what happens when we get lax in those areas. I'm excited by the idea that writers like us can actually reach out and try to understand and prod and agitate the people who are in support of Trump because we have the tools to do it. We're language people and we're idea people.
The main reason for our achievements is teamwork. It's quite simply the group of people that are here at Red Bull Racing and Red Bull Technology working as one unit.
Normally, 'black responsibility' is a forbidden phrase for a black leader -- not because blacks reject responsibility, but because even the idea of black responsibility weakens moral leverage over whites.
Ninety-five percent of all writers who write do not get published, but 100 percent of all writers write because they have a voice in their head. The vast majority of writers simply write because they have to.
In fighting a bull you're always aware of a paradox concerning your perceptions of the bull. On the one hand it's your perceptions of the bull that give you the upper hand. You read the bull, you learn to read the bull more and more accurately, and this reading of the bull is how you deploy your intelligence against the bull's intelligence. Your accuracy in reading the bull is a weapon, maybe your most important weapon, against all the bull's weapons. On the other hand, you're human, you have the human tendency to read into the bull things which may not actually be there.
For a long time, I bought into the idea that if you are a woman who is a storyteller and a lover of movies, then the best way to express that is as an actress. Obviously, there are women my age who are directors who didn't buy into that idea, but I did - and now I've broken that down inside myself.
Watching violence in movies or in TV programs stimulates the spectators to imitate what they see much more than if seen live or on TV news. In movies, violence is filmed with perfect illumination, spectacular scenery, and in slow motion, making it even romantic. However, in the news, the public has a much better perception of how horrible violence can be, and it is used with objectives that do not exist in the movies.
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