A Quote by Julie Taymor
It's how you tell the story that makes it new. That's what artists do. They let us look at the world from a different perspective. They let us look at birds in a way that makes us never see birds again in the same way. That's why I don't think computers are healthy for kids. They're too literal. You pop a button and a bluebird comes out. You pop another button and you can take the color blue and shove it into the outline of the bluebird.
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The bluebird enjoys the preeminence of being the first bit of color that cheers our northern landscape. The other birds that arrive about the same time--the sparrow, the robin, the phoebe-bird--are clad in neutral tints, gray, brown, or russet; but the bluebird brings one of the primary hues and the divinest of them all.
The clever way death cuts us down, but makes it look like just a thinning-out. Generations never fall with one blow - that would be too sad and too obvious. Death prefers to do it piecemeal. The meadow is attacked from several sides at the same time. One of us goes one day; another some time afterwards; you have to stand back and look around you to take in what's missing, to grasp the vast slaughter of your generation.
The ballet makes us look at those bodies, it makes us listen to that music, it makes us wonder at the geometry, of the way they come together. The way that extraordinary space is controlled and given such emotional force.
Most of the things at the zoo don't look like us. We're one design that works. Our chimp pals sort of look like us, so that's a different take on the same basic design. But fish don't look like us, and giraffes don't. They look a little like us, but not too much. And insects certainly don't look like us, and they work just fine.
The change is radical it gives us new natures, it makes us love what we hated and hate what we loved, it sets us in a new road; it makes our habits different, it makes our thoughts different, it makes us different in private, and different in public.
If you have birds, or if you're a herpetologist and raise reptiles - you look in those eyes, and there is nothing there that's human. I mean, they don't think like us, they don't see the world like us.
New York has a thousand universes in it that don't always connect but we do all walk the same streets, hear the same sirens, ride the same subways, see the same headlines in the Post, read the same writings on the walls. That shared landscape gets inside of all of us and, in some small way, unites us, makes us think we know each other even when we don't.
The birds can fly, an' why can't I? Must we give in, says he with a grin, That the bluebird an' phoebe are smarter 'n we be?
I think when you have kids, it definitely makes you look at things from a different perspective, but I think that the biggest thing it's done is it's made me look at things from a different perspective from a professional standpoint in how you analyze things and how you look at things and how you react to things.
Although birds coexist with us on this eroded planet, they live independently of us with a self-sufficiency that is almost a rebuke. In the world of birds a symposium on the purpose of life would be inconceivable. They do not need it. We are not that self-reliant. We are the ones who have lost our way.
Is the Mona Lisa an 'accurate' representation of the actual human model for the painting? Who knows? Who cares? It's a great piece of art. It moves us. It makes us wonder, makes us gape - finally makes us look inward at ourselves.
I'm not a pop artist. For me pop never was.... Pop is concerned with exteriors. I'm concerned with interiors. When I use objects, I see them as a vocabulary of feelings. I can spend a lot of time with objects, and they leave me as satisfied as a good meal. I don't think pop artists feel that way.
My perspective is hard because I look at wardrobe from very much a guy's perspective. You look at my closet and I have pairs of black jeans and five button-downs, but one's silk, one's cotton. They all are slightly different, so that's my perspective.
Fantasy is escapism, but wait... Why is this wrong? What are you escaping from, and where are you escaping to? Is the story opening windows or slamming doors? The British author G.K. Chesterton summarized the role of fantasy very well. He said its purpose was to take the everyday, commonplace world and lift it up and turn it around and show it to us from a different perspective, so that once again we see it for the first time and realize how marvelous it is. Fantasy - the ability to envisage the world in many different ways - is one of the skills that make us human.
Artists can color the sky red because they know it's blue. Those of us who aren't artists must color things the way they really are or people might think we're stupid.
Here's the thing: You rescue us every day in small, quiet ways, so why not in this way? Let us into your mystery, tell us how you would like to be loved, show us how to see you, really see you.
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