A Quote by Julie Taymor
Some people become dullards, but as children we are all creative. It's in the programming, the socialization, that we lose our sense of play.
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No, we didn't 'slash' children's programming or eviscerate our rules by creating loopholes to allow those inclined to avoid airing any kids' programming at all, as some have asserted.
I was glad I wasn't in love, that I wasn't happy with the world. I like being at odds with everything. People in love often become edgy, dangerous. They lose their sense of perspective. They lose their sense of humor. They become nervous, psychotic bores. They even become killers.
There are so many conditions to programming in America, where it's dominated by these people that own 800 radio stations that have no idea who to play and who not to play, and they listen to somebody or read somebody else's programming sheet and go by Buck Owens' opinion or something. Eight hundred stations are controlled by some guy that doesn't have a clue as to what to do about music.
People sometimes have a view of programming that is something solitary and very technical. But programming is among the most creative, expressive, and social careers.
People who lose children have their hearts warped into weird shapes. Some try to deny it has happened. Some pretend it hasn't. Losing friends or parents is not the same. To lose a child is beyond comprehension. It defies biology. It contradicts the natural order of history and genealogy. It derails common sense. It violates time. It creates a huge, black, bottomless hole that swallows all hope.
Gambling is not a vice, it is an expression of our humanness. We gamble. Some do it at the gaming table, some do not. You play, you win, you play, you lose. You play.
Research has shown that children who play often both solitarily and socially become more creative and imaginative than those whose exposure to play and toys is limited.
There is people who make stuff with words. There is people who make stuff with programs. And I really believe that that whole creative culture, people didn't realize how creative programming is. And anybody who's done it of course knows that not only is it creative, but it's incredibly absorbing.
As you become famous you lose some of your anonymity, which is wonderful for an actor to have because you can observe people and also people don't have such a strong sense of who you are and that sort of thing.
The old ways are dead. And you need people around you who concur. That means hanging out more with the creative people, the freaks, the real visionaries, than you're already doing. Thinking more about what their needs are, and responding accordingly. Avoid the dullards; avoid the folk who play it safe. They can't help you anymore. Their stability model no longer offers that much stability. They are extinct, they are extinction.
When we treat children's play as seriously as it deserves, we are helping them feel the joy that's to be found in the creative spirit. We're helping ourselves stay in touch with that spirit, too. It's the things we play withand the people who help us play that make a great difference in our lives.
I know it's become a cliche of sorts, but, nonetheless, it is true. This is the only planet we and our children and children's children will call home. We can't afford to lose this home because we didn't protect it.
[When we drop our agendas] we begin to cultivate a mind of true goodness and compassion, which comes out of a concern for the Whole. As we live out of such a mind, we become generous, with no sense of giving or of making a sacrifice. We become open, with no sense of tolerance. We become patient, with no sense of putting up with anything. We become compassionate, with no sense of separation. And we become wise, with no sense of having to straighten anyone out.
We can glut ourselves with how-to-raise children information . . . strive to become more mature and aware but none of this will spare us from the . . . inevitability that some of the time we are going to fail our children. Because there is a big gap between knowing and doing. Because mature, aware people are imperfect too. Or because some current event in our life may so absorb or depress us that when our children need us we cannot come through.
Meaning and value depend on human mind space and the commitment of time and energy by very smart people to a creative enterprise. And the time, energy, and brain power of smart, creative people are not abundant. These are the things that are scare, and in some sense they become scarcer as the demand for these talents increases in proportion to the amount of abundant computing power available.
In a sense, as we are creative beings, our lives become our work of art.
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