A Quote by Julie Taymor

I believe that if you really have a strong idea, you can say, "What do you think? Let's see how my idea plays off yours." — © Julie Taymor
I believe that if you really have a strong idea, you can say, "What do you think? Let's see how my idea plays off yours."
If I hear Anna say something, and I completely misheard her say it, and she goes, 'That's not what I said, but that's a great idea.' Whose idea was it? It was nobody's idea. It came out of thin air, but it was a misunderstanding. That's really what's fun about having a partner to throw ideas off of. Sometimes you get those good accidents.
Never run away with the idea that it doesn't matter much what we believe or think; it does. What we believe and think, we are; not what we say we believe and think, but what we really do believe and think, we are; there is no divorce at all.
Plays are just all sort of playful asides, and there's a great deal of reference here to Greek mythology, plays, and dramas. The idea of the chorus is really important in Greek drama and I loved the idea of including that.
People think the gold medal is yours and they say you're going to win - but they have no idea how hard it is. People aren't doing it negatively - they're mostly lovely and they really do want you to win - but they don't understand the difficulty and intensity of competition.
When I began to be published, people got the idea that I should 'teach writing,' which I have no idea how to do and don't really believe in.
That's how the scientists discover new science. They start out with a hypothesis--an idea--and then others believe enough in the idea that they make it true. You see?
The Sophists had this idea: Forget this idea of what's true or not—what you want to do is rhetoric; you want to be able to persuade the audience and have the audience think you're smart and cool. And Socrates and Plato, basically their whole idea is, "Bullshit. There is such a thing as truth, and it's not all just how to say what you say so that you get a good job or get laid, or whatever it is people think they want.
I was really happy with Mike [Green]. Not only was he contributing offensively, but he was really making good plays, good decisions. Defensively, he was really strong. For a debut, I didn’t know how he would be just coming off a little bit of an injury. He was real strong. I’m glad he got through that. I think he’s looking forward to a good season now.
'Paycheck,' I thought, was a really, really good idea. I never got an opportunity, unfortunately, to read the novel, but I loved the idea of how to deal with intellectual properties. I just don't know that we necessarily got to the heart of that particular idea. I think it became more of a chase movie than anything else.
The idea behind reinforcement learning is you don't necessarily know the actions you might take, so you explore the sequence of actions you should take by taking one that you think is a good idea and then observing how the world reacts. Like in a board game where you can react to how your opponent plays.
Your idea doesn't have to be big. It just has to be yours alone. The more the idea is yours alone, the more freedom you have to do something really amazing. The more amazing, the more people will click with your idea. The more people click with your idea, the more it will change the world.
I always say the first sign of a good idea is a lot of people not believing in it. I can tell you this right now, if you have an idea that makes complete logical sense and people don’t believe in it, then you probably have a brilliant idea.
Modern technology has taken the angst out of achieving the perfect shot. For me, the only thing that counts is the idea behind the image: what you want to see and what you're trying to say. The idea is crucial. You have to think of something you want to say and expand upon it.
I think that the thing that is really strong with 'The Hunger Games' is just that it comes from a very strong idea.
The most exciting time is when I think of an idea and how I imagine I can make it. It would be wonderful if there was a projector inside my eye that and it could just put the idea on the screen for people to see.
I think that, to be an artist, you have to have a big enough ego to believe that people out in the world want to see what you think is a good idea. And if you don't have that sense of ego, then the minute that idea goes into the world, self-doubt kicks in.
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