A Quote by Julie Taymor
It's people who are repressed and cannot express their fears that are dangerous.
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These firecrackers outside and these lights outside cannot make you rejoice. They are only for children; for you, they are just a nuisance. But in your inner world there can be a continuity of lights, songs, joys. Always remember that society compensates you when it feels that the repressed may explode into a dangerous situation if it is not compensated. Society finds some way of allowing you to let out the repressed. But this is not true celebration, and it cannot be true.
No man is so dangerous as the man who cannot decide what he fears.
The work of the artist is to express what is repressed or even to speak the unspoken grief of society.
What got repressed-sometimes viciously repressed-by the strategy-concept makers, consultants, and data gatherers was a consciousness of people and their importance in the creation and execution of any strategy.
We cannot erase what has been done. We can apologize for it. We can express our outrage. We can say to the American people and to the people of the world, this is not our way and we do not condone it, but we cannot change it and we cannot erase it.
I was brought up in a fairly emotionally repressed kind of society in Northeast England where one didn't express emotions and was expected to keep a stiff upper lip.
Most fears cannot withstand the test of careful scrutiny and analysis. When we expose our fears to the light of thoughtful examination they usually just evaporate.
Americans are a lot more open, of course. There's something more declamatory in the way you express emotions. It's a stereotype but it's true. British people can appear repressed in expressing emotions. Not very good at self-evaluating, or affirming situations, touching, anything like that.
I think that we have strayed into very dangerous territory where people are not allowed to express a negative opinion.
There is no governor anywhere. You are all absolutely free. There is no restraint that cannot be escaped. If anybody could go into dhyana at will, nobody could be controlled - by fear of prison, by fear of whips or electroshock, by fear of death, even. All existing society is based on keeping those fears alive, to control the masses. Ten people who know would be more dangerous than a million armed anarchists.
In Halloween, I viewed the characters as simply normal teenagers. Laurie, Jamie Lee's character, was shy and somewhat repressed. And Michael Myers, the killer, is definitely repressed. They have certain similarities.
You cannot be worrying about what other people think. You have to be sure that what you do is what you love to do, because if you love it, maybe another hundred thousand people might love it, too. Some other people might not like it, but it doesn't matter, because you have to express what you want to express. You only live once.
The form of the blues helps us express our joys, our fears, our - anything you want to express. And it helps you get it out instead of it spiraling inward, and you're getting twisted up and exploding. So it's a bit of salvation.
Sexuality poorly repressed unsettles some families; well repressed, it unsettles the whole world.
I often say that when you can measure what you are speaking about, and express it in numbers, you know something about it; but when you cannot measure it, when you cannot express it in numbers, your knowledge is of a meagre and unsatisfactory kind.
I suspect it was...the old story of the implacable necessity of a man having honour within his own natural spirit. A man cannot live and temper his mettle without such honour. There is deep in him a sense of the heroic quest; and our modern way of life, with its emphasis on security, its distrust of the unknown and its elevation of abstract collective values has repressed the heroic impulse to a degree that may produce the most dangerous consequences.
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