A Quote by Julius Streicher

The black shadow cares for itself, not for you. — © Julius Streicher
The black shadow cares for itself, not for you.

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Without black, no color has any depth. But if you mix black with everything, suddenly there's shadow - no, not just shadow, but fullness. You've got to be willing to mix black into your palette if you want to create something that's real.
Life itself is but the shadow of death, and souls departed but the shadows of the living: All things fall under this name. The Sun itself is but the dark simulacrum, and the light but the shadow of God.
There is a black which is old and a black which is fresh. Lustrous black and dull black, black in sunlight and black in shadow.
We don't live in a world that nurtures and cares for Black girls like me. And if the world doesn't care about a Black girl like me, then what will happen to our Black babies who grow up to become Black children and Black adults?
I thought the most beautiful thing in the world must be shadow, the million moving shapes and cul-de-sacs of shadow. There was shadow in bureau drawers and closets and suitcases, and shadow under houses and trees and stones, and shadow at the back of people's eyes and smiles, and shadow, miles and miles and miles of it, on the night side of the earth.
We human beings have not secured happiness; on the contrary, science gives us catastrophes. We are like travelers losing their way in a desert. They see a big black shadow ahead and desperately run to it, thinking it may lead them somewhere. But after running a long way, they no longer see the shadow and fall into the slough of despond. What is that shadow? It is this ""Mr. Science.
We are, in fact, hyper-dimentional objects of some sort which cast a shadow into matter, and the shadow in matter is the body. And at death, what happens basically, is that the shadow withdraws, or the thing which cast the shadow withdraws, and metabolism ceases, and matter which had been organized into a dissipative structure in a very localized area, sustaining itself against entropy by cycling material in and degrading it and expelling it, that whole phenomenon ceases, but the thing which ordered it is not affected by that.
My first black-on-black picture was 'The Portrait of an Artist as a Shadow of His Former Self.' I started using it as an emblem of this undercurrent of wickedness, malevolence, and irony - all of that.
It’s hard to look at Barron now, but I do. He’s smirking. His black hair and black suit make him into a shadow, as if I conjured some dark mirror of myself.
Be Black, buy Black, think Black, and all else will take care of itself.
... I began showing the black border of the negative as part of the image, something I'd never done before. I began to realize that the edge of the negative represents the shadow of the camera, the opaqueness of matter. It casts a shadow on the negative, so it's a photogram as well.
There are cycles in American politics. US cycles are even more pronounced because we Americans have a totally entrepreneurial presidential system. We don't have parliamentary opposition parties with a shadow prime minister and shadow cabinets. Every four years, the opposition reinvents itself.
If a man's shadow is brighter than himself, than that man becomes the shadow itself!
Syd Barrett of Pink Floyd was the first person in rock I had seen with makeup on. He wore black nail polish and lots of mascara and black eye shadow, and he was so mysterious. It was this androgynous thing I found absolutely fascinating.
Sometimes, when we're terrified of embracing our true calling, we'll pursue a shadow calling instead. That shadow career is a metaphor for our real career. Its shape is similar, its contours feel tantalizingly the same. But a shadow career entails no real risk. If we fail at a shadow career, the consequences are meaningless to us. Are you pursuing a shadow career?
If it is bin Laden, he's a very intelligent guy. He's been planning his war for a long time. I remember the last time I met him in 1997 in Afghanistan. And bin Laden said to me "From this mountain, Mr. Robert, upon which you are sitting, we beat the Russian army and helped break the Soviet Union. And I pray to God that he allows us to turn America into a shadow of itself." When I saw the pictures of New York without the World Trade Center, New York looked like a shadow of itself.
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