A Quote by Juno Temple
What's exciting about watching a movie, when it's finished, is you sometimes you don't recognize yourself, and that's when I'm really proud.
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When you're watching yourself work, you're not really an audience member for yourself. Even being confronted by your own image can be jarring sometimes. The experience of making a movie or a television show is this really full one, and sometimes you see it and even if it's a great piece of work, it's not the experience - i t's almost sad because it reminds you of something that isn't anymore.
The song is about knowing the end result of every situation you're in, and being able to play it out in your mind and see it before it happens. It's about addiction, really, about knowing how it's all going to end up. In that sense, you're watching a movie of yourself all the time - and then you want out of that movie.
Coco' is a really amazing movie. The research was made with so much respect. I enjoyed the movie because I know about what they are talking about. I am really proud to be part of the film.
As a consumer, I love action movies and have a lot of opinions about how action comedies don't really do justice to what I find exciting about an action movie, which is the genuine thrill of watching something that feels really high-stakes. A lot of times, it's played for laughs and action, which waters down the sense of danger.
I've never acted before in a movie I've directed. This felt like the time to do it just because the " Leaves of Grass" movie itself is so much of a platform for the lead actor. It's really written for an exciting performance and it really depends on the audience watching an extraordinary actor having a great time pulling off this feat. It makes sense to me as a director to act in support of that.
You can't start a movie by having the attitude that the script is finished, because if you think the script is finished, your movie is finished before the first day of shooting.
I'm proud to be an American, no matter what. But Amercian culture is stale, you know wha I'm saying ? We keep regurgitating the same sh*t. And it ain't exciting. I seen it from when I was a kid watching the whole sh*t. The sh*t was exciting to me.
Yeah, it’s really great. I mean, the clonesbians—you know, I have to say, I feel sometimes that fiction can reflect reality and sometimes even affect it. And I’m really proud to play a gay character whose main problem is not that she’s gay, which it shouldn’t be for anyone. So, I’m really proud of that.
Anything that's memorable about a movie is often what a test audience will object to because they're being asked to be experts. They just compare the film they finished watching to all of the other films that they've seen.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
Sometimes I feel like every movie I make could be the last. I know that's not really the case, but if I think about it that way and I'm very careful, then maybe I can build a career, movie by movie, that I'm happy with.
The premise that we're working with is that when most people go to a show, they're not really watching what's going on onstage. They may be watching what's on the screen. But when the songs are playing in their mind's eye, they're actually watching a movie.
Sometimes I forget that I am even watching myself, realizing that's me. It's like you almost become a fan yourself: You are just this normal person watching this show, and then you realize that it's your show. It's weird sometimes.
I always loved the work. As soon as I finished a movie, the most exciting thing to do was to try to jump into the next one. How I feel about it is that I learned a lot, so I'm grateful that I learned so much, at such a young age, rather than in my more adult professional career.
I'm not really interested in playing famous people. I prefer to create characters. And I hope I have an exciting enough life that somebody might make a movie about that one day. I don't want to make movies about other people. I was once approached about playing Salvador Dali, which I thought would've been fun until I found out that he was proud of kicking a blind man across the street. So, I decided, I didn't want to play that guy. So, I think I'll just keep it the way it is.
There's something really magical about having a child - it's like permission to begin again, start over, reevaluate some things, check yourself. Recognize yourself.
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